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Climate Change Part FOUR!

These cartoons are by various CagleCartoonists, including two by me (Daryl Cagle)!  Five cartoonists discuss these and a bunch of other climate change cartoons on our Caglecast podcast!  Here’s the video!  Come look and please subscribe on YouTube.

Chris Weyant

 

We have a great new Caglecast about Climate Change with FOUR great CagleCartoonists: RJ Matson, Taylor Jones, Peter Kuper and Guy Parsons!

Daryl Cagle

Daryl Cagle

Patrick Chappatte

 

John Darkow

 

Adam Zyglis

Support our Popular, Moderate Cartoonist, Jeff Koterba –We Need to Keep Jeff Drawing!

Or you can support our Cagle.com site!
Become a Cagle.com HERO!

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Climate Change Cartoons Part ONE!

We have a great new Caglecast about Climate Change with FOUR great CagleCartoonists: RJ Matson, Taylor Jones, Peter Kuper and Guy Parsons!

Luojie, China

 

Here’s the video! Come look and please subscribe on YouTube.

 

Here are some more of the cartoons that the cartoonists discuss on the video …

Gatis Sluka, Latvia

Kap, Spain

MichaelKountouris,Greece

Steve Sack, Minnesota, USA

Adam Zyglis, New York, USA

Dave Whamond

Support our Popular, Moderate Cartoonist, Jeff Koterba –We Need to Keep Jeff Drawing!

Or you can support our Cagle.com site!
Become a Cagle.com HERO!

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TikTok and CHINA!

We’ve got a great new Caglecast/podcast about TikTok and China where you can meet our cartoonists Patrick Chappatte, Jimmy Margulies and Dave Whamond. We also have our syndicated columnist, Jase Graves, who tells me that looks like a portrait of his daughter in the Chappatte cartoon below.

I hope you’ll watch our video on YouTube below and subscribe at YouTube.com/@caglecast! It really helps us if you subscribe, and we’ve been kind of disappointed at how few of our fans have been watching or subscribing to the podcast. One of my goals with the podcast is to get readers and especially editors to get to know the cartoonists as real people. Editors tend to treat editorial cartoons as if they are fungible, just commodities, rather than getting to know the people behind the cartoons, and learning more about the culture of our profession.

Here are some great cartoons from the 40 cartoons discussed in our podcast!

by Bart van Leeuwen
by Dave Whamond
by Patrick Chappatte
by Jimmy Margulies
by Daryl Cagle

I know our readers like to look at the cartoons, and watching (or listening to) a podcast is a different experience, but I hope you’ll give it a try! We’d like for you to get to know the cartoonists and where they are coming from!

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Support Monte Wolverton – Don’t Lose Liberal Cartoons in the Public Debate

We’ve put up a crowd funding campaign for our beloved and brilliant, progressive cartoonist, Monte Wolverton at Cagle.com/Wolverton –come take a look!

The problem we have is that, with the continuing decline of newspapers, we’ve reached a point where many editorial cartoonists, like Monte, simply can’t afford to keep drawing for the pittance that newspapers pay. I hate seeing our profession slowly die, and I would hate to see Monte leave the public debate.

So we’re putting up a crowd funding campaign and hoping that support from fans can keep Monte in the game. Our Cagle.com Heroes have been very generous in keeping Cagle.com operating, perhaps editorial cartoon fans would want to support keeping one of their favorite cartoonists drawing.

Here’s Monte’s message to his fans on Cagle.com.

I did a Caglecast podcast with Monte showing some of his recent work and talking about his famous, cartoonist father, Basil Wolverton. See the video below!

See Monte’s archive and read our pitch for your support. We think Monte has an important voice and we really appreciate your support for Monte.

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Baby New Year: Top Ten Cartoons of the Week

We’re closing in on the end of another year, which means newspaper editors want cartoons featuring Father Time and Baby New Year.

Our most popular cartoon over the past week is Jeff Koterba’s one-two punch about low temperature and high heating bills smacking people across the country.

Here are our top ten most reprinted cartoons of the week:

#1. Jeff Koterba

#2. Bob Englehart

 

#3. Dave Granlund

 

#4. Dick Wright

 

#5. Rivers

 

#6. Dick Wright

 

#7. Dave Whamond

 

#8. Monte Wolverton

 

#9. Gary McCoy

 

#10. Jeff Koterba

Want to get EVERY new CagleCartoon from our 62 syndicated newspaper editorial cartoonists, in your email box every day? Just become a Cagle.com HERO and you get the exclusive daily emails of ALL THE CARTOONS!  See all the cartoons before the newspapers print them and never miss a cartoon!

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A Mixed Bag – Top Ten Cartoons

This week, editors chose a mixed bag of topics for their op-ed pages, everything from NASA’s moon mission to Brittney Griner’s release to Kyrsten Sinema leaving the Democratic Party.

Yet despite everything going on in the news, this week’s most-reprinted cartoon was about a universal subject everyone hates – high gas prices. Though not enough to go out and buy electric cars, apparently.

Here are our top ten most reprinted cartoons of the week:

#1. Dave Whamond

 

#2. Jeff Koterba

 

#3. Rivers

 

#4. Pat Byrnes

 

#5. John Darkow

 

#6. R.J. Matson

 

#7. Jeff Koterba

 

#8. Dave Granlund

 

#9. Rick McKee

 

#10. Pat Bagley

Want to get EVERY new CagleCartoon from our 62 syndicated newspaper editorial cartoonists, in your email box every day? Just become a Cagle.com HERO and you get the exclusive daily emails of ALL THE CARTOONS!  See all the cartoons before the newspapers print them and never miss a cartoon!

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Election Burnout: Top Ten Cartoons of the Week

If you haven’t noticed by all the political attack ads on television, it’s nearly Election Day! In just a couple of days Americans will be heading down to their local polling place to cast that vote in the 2022 midterms.

Elections are always a long slog for both voters and cartoonists, who just feel fatigued by the whole thing at this point. But at least they give us plenty to draw about.

Here are our top ten most reprinted cartoons of the week:

#1. Jeff Koterba, Cagle.com

 

#2. John Darkow, Columbia Missourian

 

#3. Rick McKee, Cagle.com

 

#4. Daryl Cagle, Cagle.com

 

#5. R.J. Matson, Roll Call

 

#6. R.J. Matson, Cagle.com

 

#7. Daryl Cagle, Cagle.com

 

#8. Gary McCoy, Cagle.com

 

#9. Ed Wexler, Cagle.com

 

#10. Gary McCoy, Cagle.com


Our weekly Top Ten is now a newspaper column!  Subscribing editors can find it at CagleCartoons.com with download links to grab the cartoons in high resolution.

Want to get EVERY new CagleCartoon from our 62 syndicated newspaper editorial cartoonists, in your email box every day? Just become a Cagle.com HERO and you get the exclusive daily emails of ALL THE CARTOONS!  See all the cartoons before the newspapers print them and never miss a cartoon!

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Midterms Approach: Top Ten Cartoons of the Week

We’re a little more than a week out from Election Day, and inflation remains one of the biggest issues of the midterms. Everything just seems to keep getting more and more expensive.

Of course, the election itself is a great topic for cartoons. Election deniers, unfit candidates, polarization – unfortunately there’s a lot of material for cartoonists to work with.

Here are our top ten most reprinted cartoons of the week:

#1. Chris Weyant, Boston Globe

 

#2. Dave Whamond, Cagle.com

 

#3. Dave Granlund, Cagle.com

 

#4. Pat Bagley, Salt Lake Tribune

 

#5. John Darkow, Columbia Missourian

 

#6. Rivers, Cagle.com

 

#7. John Darkow, Columbia Missourian

 

#8. Jeff Koterba, Cagle.com

 

#9. Dave Granlund, Cagle.com

 

#10. Dave Whamond, Cagle.com

———–
Daryl Cagle is the publisher of Cagle.com and owner of Cagle Cartoons, Inc, a syndicate that distributes editorial cartoons and columns to hundred of newspapers. See Daryl’s blog at: DarylCagle.com. See all of the cartoons at Cagle.com.
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Steve Sack has Retired

I’m sorry to write that my friend and longtime CagleCartoonist, Steve Sack has retired from editorial cartooning.  Here’s a note Steve wrote for our subscribing editors:

It’s with extremely mixed feelings that after 42 years, and over ten thousand cartoons, I will be retiring from the Minneapolis Star Tribune.

I’ve been away from my drawing table in recent weeks, recovering from hand surgery for carpal tunnel and other nerve issues. I’ll eventually have my hand back. But after truly difficult reflection I’ve decided that I’d like to change my focus. At 68 I have other interests and projects, artistic and otherwise, that I’d like to devote more time to.

I want to sincerely thank you for printing or at least considering my work for your paper. An artist needs an audience and I am most appreciative that you could share my efforts with your readers. As much as cartoonists sometimes complain and butt heads with editors, in truth we depend on you.

I hope you continue to support our unique profession. It’s been my honor to appear on your pages.

Best,
Steve Sack

Steve drew his last cartoon for us two months ago, on February 25th. We were hoping for a quick come back from his surgery, but that was not to be.  This is a sad day, but Steve doesn’t sound sad; he seems excited about different projects. Our door is always open to Steve to return.  Steve’s cartoon archive will remain on our sites, with his oldies available to editors.

Steve’s actual last cartoon, or I should say, most recent cartoon, is this Tucker Carlson gem, in collaboration with Ed Wexler.  Steve called Ed to describe his idea which Ed drew up. I’ve invited Steve to do the same with me; we’ll see if that happens.

Steve wrote this piece for the Minneapolis Star-Tribune and asked me to hold it until today:

Message to Star Tribune readers
———————-
It’s with extremely mixed feelings that after 42 years, and over ten thousand cartoons, I will be retiring from the Minneapolis Star Tribune.

I wish I was able to offer a proper farewell cartoon. I’ve been away from my drawing table in recent weeks, recovering from hand surgery for carpal tunnel and other nerve issues. I’ll eventually have my hand back. But after truly difficult reflection I’ve decided that I’d like to change my focus. At 68 I have other interests and projects, artistic and otherwise, that I’d like to devote more time to.

It’s been a pleasure to work with everyone at the Star Tribune. The support I’ve felt over the years from the editors, writers, and support staff from every department has made this a cartoonist’s dream job.

I’d like to express my sincere appreciation for you, my readers. Since my career’s beginning at the U of M student paper, The Daily, I’ve been cranking out cartoons for 45 years. They haven’t all been gems but I can honestly say I gave each one my all. Some readers have taken exception to a few of the views I’ve expressed. OK, maybe more than a few….that’s the nature of the opinion biz.  The Minneapolis Tribune editor who hired me, the late great Charles Bailey, gave me just one directive: “Never be afraid to make people angry, but know exactly why you’re doing it”. A political cartoonist couldn’t ask for more.

A few years back the Star Tribune published a collection of my cartoons in a book, The First and Only Book of Sack (still available in the Star Tribune online store!). To help promote it I stepped up my public appearances and had the opportunity to visit with many of our newspaper’s readers in person. I never failed to be gratified by the appreciation for the Star Tribune’s journalism that was conveyed.

Editorial cartooning is a negative art form, for the most part. We look for things to complain about, find fault, point fingers. The world is a mess and always has been, somewhere. We look for it. Our tools can be harsh: Sarcasm. Caricature. Gross exaggeration. We twist politicians’ words, nitpik their faults and figuratively pull down their pants. The lofty goal of it all this is to expose a Greater Truth. Which simply boils down to sharing one’s view of the world. That’s the goal of every artist.

From Day 1 in 1981 its been my honor to be the cartoonist for the Star Tribune. Whether you loved my cartoons or hated them, posted them on your refrigerator or lined your bird cage, thank you for allowing me to be a small part of your day.

Steve Sack

See Steve’s farewell in the Star-Tribune.

See Steve’s cartoon archive.

The Minneapolis Star-Tribune will continue running CagleCartoons now that Steve has left.


Our weekly Top Ten is now a newspaper column!  Subscribing editors can find it at CagleCartoons.com with download links to grab the cartoons in high resolution.

Want to get EVERY new CagleCartoon from our 62 syndicated newspaper editorial cartoonists, in your email box every day? Just become a Cagle.com HERO and you get the exclusive daily emails of ALL THE CARTOONS!  See all the cartoons before the newspapers print them and never miss a cartoon!

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Disappointment in France

I was saddened to learn that the highly anticipated, new, national center for editorial cartoons in France was granted to the city of Paris, rather than the village of St. Just le Martel in the French countryside. Cartoonists from around the world have been writing letters and drawing cartoons, in support of St. Just’s bid for the new “Maison” or “House” of editorial cartoons, which will be a combination of a museum and center for events and lectures about “press cartoons.” St Just le Martel is the home of the only museum dedicated to editorial cartoons –and the home of a wonderful, annual “Salon” where international cartoonists have built friendships with a charming local community of fans that chose to support our profession decades ago.  Clearly, what the world’s cartoonists wanted wasn’t important to the decision makers in France. I’m putting cartoonists’ protest cartoons at the bottom of the page.  Scroll down.

French president Emmanuel Macron announced the selection of Paris this week. There isn’t any other nation with a national center for editorial cartooning, and our troubled profession should appreciate that anything is being built at all.  Still, what should be a happy day is a sad day for us. The fear is that a much bigger and better funded “Maison” will overshadow our beloved Salon in St. Just le Martel.

Here’s a statement from our friends in St. Just le Martel, followed by a statement by my friend and CagleCartoonist, Pierre Ballouhey, who is the president of “France Cartoons,” the professional organization for cartoonists in France.

INTERNATIONAL CARTOONING CENTER – SAINT JUST LE MARTEL – France – Press Statement January 2022.

The management of the Center is stunned by the notification of French President Emmanuel Macron to refuse the implantation of the European Cartooning House in Limousin area. Paris localisation was prefered was preferred, even though the infrastructure already exists in Limousin, and had many advantages, of security, experience, and recognized legitimacy.

It is a feeling of contempt and injustice that prevails here at the Caricature Center among all the volunteers. Seeing over 40 years of investing in the defense of Freedom of Expression through the cartoonish swept away by political choice without any justification leaves you speechless.

This choice goes against all the announcements, all the considerable assets, know-how, memory, commitment of the population of Saint Just Le Martel and local elected representatives of Limousin, to defend what already existed since 1982.
It is also a slap in the face to the 250 cartoonists who every year are travelling in september to Saint Just Le Martel for the International Festival, and who where mobilized in their large majority in favor of this place of meeting and celebration of Freedom of Expression.

The management of the Center dispute this decision because it fundamentally contravenes the interests of this project, in particular through a decentralization supposedly promised in the general policy speech of the Prime Minister.

We contest this project, because it goes against the flow of cultural opening up, even though Saint-Just Le Martel is easily and quickly accessible being at 1 hour from Paris by plane, or 3 hours by train or road.

We contest this project, because it discredits and denies all the experience of organizing exhibitions, and the very strong link that binds the community of designers to the International Center of Saint Just Le Martel, with more than 2,500 partners through the five continents.

Finally, we dispute it, because it goes against all the previous investments, made jointly, by European funds, the state, the Region, the Department, the Municipality in 2011. All had testified to the recognition and legitimacy of this place to make it the sanctuary of the defense of Freedom of Expression through satirical drawing.

________________________

Here’s the call for cartoonists to submit drawings protesting President Macron’s decision, by France Cartoons’ president, Pierre Ballouhey.

Dear Colleagues,

The javelin was thrown by Macron and it was stuck in his feet. The famous Maison du Dessin de Presse et de la Satire will be in Paris, not in Saint-Just. One more cultural space in the Capital.

It’s a pity, the usual franchouillard jacobinism, a foot in the nose of decentralization, contempt for the regions.

Disappointment for most of the cartoonists from all over the world who would have preferred Saint-Just-le-Martel-Limoges. They will continue to meet every autumn in their natural habitat of Limousin…

Send your drawings of disapproval and support to the Center [email protected]. They will be printed and exhibited in an event in Saint-Just, France-Cartoons will be represented by Placide.

Pierre BALLOUHEY
Président de France-Cartoons

Here’s Pierre’s cartoon and more from some other disappointed cartoons. (Note that St Just le Martel is in an area that is known for its cows, and the Salon is represented by a cow mascot, “Justine”.)Pierre Ballouhey

 

Laurent Battistini

 

Rainer Hachfeld

Biz

Batti Babache

 

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My First NFT Drop Saturday at 2:00pm EDT

On Saturday, April 17th, at 2:00pm Eastern time I’ll have my first drop of NFTs (Non Fungible Tokens) of TEN of my favorite editorial cartoons. I think this will be the first NFT drop by any editorial cartoonist and there is a lot of potential in  NFTs for our troubled profession. See my page with the soon-to-drop cartoons at: https://app.portion.io/#editorialcartoons without prices, prior to the Saturday drop/release date. At 2:00pm Eastern time on Saturday, modest prices will appear (not auctions), in the crypto currency Etherium. I know that’s complex. Each is an edition of ONE, so there will be only ONE NFT of each of any of my cartoons. We’ll see what happens.

So here are the cartoons! They were all very widely reprinted in newspapers and were favorites with readers.

 

#1

The first one is one of my most reprinted cartoons. It was the cover of one of our Best Political Cartoons of the Year books and has been used as a magazine illustration lots of times.

Here it is on the cover of a national magazine. I didn’t know it was a conservative cartoon when I was drawing it.

#2

This cartoon is actually my most reprinted cartoon ever. Some publisher licenses it every month or two. It has been used in lots of education settings, and teachers seem fond of it.

 

#3

This is an oldie that never goes out of style, every time the Republicans lose an election, this cartoon comes back in reprints.

 

#4

I drew this cartoon when I first got my Apple Watch and it seemed to nag me all time. This was just an everyday cartoon, but the NFT experts at Portion.io wanted me to include a cartoon about tech, so here it is.

 

#5

I drew this one at the time of the Ferguson protests and it was another very widely reprinted one.

 

#6

This one wasn’t wildly popular with editors. I think editors don’t like cartoons about butts or cursing – that said, it is one of my favorites. Politicians talk out of their asses, even if editors don’t want to see it.

#7

Readers aren’t much interested in any cartoons about foreign issues, but among the world topics, China bashing is usually the most popular. One of my goals in selecting this batch of cartoons was to have a variety of topics, so I could see how they would perform in NFTs with collectors who are likely have very different interests than Cagle.com readers and newspaper editors. They tend to be wealthy and worldly, and American.

#8

I drew this one when California legalized marijuana and I included it because I like it. We’ll see of the sophisticated NFT collectors like to puff the ganja.

 

#9

This one is one of my favorites and was widely reprinted.

 

#10

I drew this one when I was living in Tennessee, in the wake of the Trayvon Martin shooting. The NRA thinks everyone would be safer with a gun, because bad guys would have to watch out, and that was the prevailing attitude I saw in Tennessee. It is nice to be back in California.

That’s it!  My first NFT drop, and probably the first NFT drop by any editorial cartoonist. Wish me luck, and take a look at my page on Portion after 2:00pm Saturday and we’ll see if these sell.

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Can NFTs Save Editorial Cartoons?

I’m a newspaper editorial cartoonist. The decline of newspapers has dragged my profession down; cartoonists see our print clients sinking, while the internet hasn’t developed a culture of paying for content. Ironically, the audience for editorial cartoons is bigger online than it ever was for print. Editorial cartoons can enrage despots and cause riots. Cartoons are more powerful than words. Cartoonists are on the front lines of journalism — but we struggle to pay the rent.

Crazy sales figures and global media attention have artists of all kinds talking about NFTs (Non-Fungible Tokens), a new, online phenomenon that enables artists to sell rights to their work directly to art collectors and fans. Simply put: NFTs are efficient contracts that guarantee value in scarcity — for me, only one NFT per cartoon — and prove provenance on an unhackable blockchain online ledger. I find myself asking: Could NFTs save the editorial cartooning profession? Artists of all kinds are eager to take advantage of NFTs, which could be an exciting new income opportunity or a momentary tech bubble, ready to burst.

Readers on the web tend to follow the cartoonists with whom they agree, preferring strong opinions — cartoons that “draw blood.” Newspaper readers are older, and timid print editors tend to select cartoons that shy away from strong opinions. Editorial cartoonists with Patreon pages (where online fans support their work through donations) see a stark difference between their print and Web audiences. I see the difference on our reader-supported Cagle.com site, where our “Hero” contributors tend to be liberals who prefer cartoons that are much stronger, and farther to the left than what newspaper editors will accept.

Another problem editorial cartoonists have with newspapers is that we’re limited to the topics that dominate CNN and Fox News; we don’t get reprinted if we draw on other topics. Some important topics, like most environmental issues, overpopulation, social issues that are always simmering but never boiling into headlines, simply don’t make it into editorial cartoons. I get lots of email from readers who ask about why there are no editorial cartoons about a particular issue that is close to a reader’s heart.

Fans are already influencing cartoonists by supporting them directly; what if those fans became NFT collectors, and what if a market of collectors became the main, paying clients for editorial cartoonists instead of newspapers? What if collectors who worry about endangered species bought cartoons about gorillas, whales and sea turtles? What if collectors who want to see cartoons with stronger opinions actually purchased the strong cartoons that “draw blood”?

If NFTs endure, could collectors steer the cartoon debate along with newspaper editors, CNN and Fox News? There are reasons to think this could happen; the virtual fine art that is popular with collectors often takes political positions, and often ridicules both political institutions and the art world itself; editorial cartoons seem to be a good fit with the NFT, art collector culture. Collectors want to make an impact on society.

A new and innovative NFT platform called Portion.io is ready to put this to the test with an ambitious plan to build a marketplace for editorial cartoon NFTs. Portion is taking the first step with a “drop” of my own editorial cartoons. We’ll test the waters with very modest, fixed prices to start — and we’ll see how it goes!  We’re expecting that if the first drop of my own cartoons goes well, we’ll introduce many new editorial cartoonists on Portion. Subsequent drops of cartoons will be offered as auctions where we’ll see if collectors have the potential of impacting the public debate, and we’ll see if the NFT marketplace can save an important art form that is a traditional part of journalism. The world needs editorial cartoons. I’m hoping art collectors will need them too.”

Come watch the first editorial cartoon NFT drop at Portion on April 17th!  My ten NFT cartoons are already posted there at: https://app.portion.io/#editorialcartoons without prices, prior to the Saturday drop/release date.

Tomorrow I’ll post my first NFT cartoons here in the blog and write some more about them.