UPDATE Friday August 19, 2016: Dogan Guzel is released! Read about it in Spanish here, and the Google translation of the article here.
Two great cartooning organizations that I support, Cartooning for Peace and Cartoonists Rights Network International are spotlighting the arrest and imprisonment of Turkish cartoonist Dogan Güzel who was swept up in a mass arrest of journalists as he was visiting colleagues at the pro-Kurdish newspaper, Özgür Gündem in central Istanbul, which was raided and closed in the wake of the failed July 15th coup in Turkey. The Turkish police reportedly confiscated computers at the newspaper offices, which editors described as “looting” on Twitter.

Dogan was convicted, sentenced to seventeen years in prison and spent a year and a half in jail for drawing cartoons critical of the regime in Turkey. He was given amnesty in 1999 and moved to Spain where he lived for more than ten years and was given political asylum; he is a Spanish citizen. He now lives in both Seville and Istanbul. Dogan is being held on the charge of “making propaganda for the Kurdish armed group PKK”.
The Özgür Gündem newspaper is small, with a circulation of only 6,700; it has been banned many times for its coverage of the Kurdish conflict, a continuing thorn in the side of Turkish President Recep Tayyip Erdoğan who seems to be using the coup as an opportunity jail all of his critics. Here is a nice report in Spanish. There is little or no coverage of this story in English.
Cartooning for Peace is soliciting cartoonists to draw on Dogan’s behalf. Cartoonists Rights Network International posted the report below.
Cartoonist Dogan Güzel was among the journalists arrested in the government raid on the Kurdish newspaper Özgür Gündem in Istanbul on Tuesday. Photos show the cartoonist in a torn shirt in police custody. In 1999, Dogan Güzel was the first recipient of CRNI’s Courage in Political Cartooning award. At that time, he had just spent a year in jail for “drawing a cartoon that called the state ‘weak,’ and for publishing his cartoons in the Kurdish language.” Cartoonists Rights joins Reporters Without Borders in condemning the closure of the newspaper and calls for the release of the journalists.
Here is a sample of Dogan’s work. See more here.

















Interest in politics doesn’t translate into better sales for editorial cartoons; there is still only one hole for a cartoon on the editorial page of each newspaper, even when the news is brisk.
Cartoonists didn’t have a conversation that ended up with Trump as Hitler, we drew Trump as Hitler from the start and the Trump/Hitler metaphors continue unabated. There are countless monster cartoons with Trump’s hair or face on Godzilla, King Kong, Frankenstein, Satan, the Ku Klux Klan and Dracula.
The most famous example of matching cartoons came the day after the 9/11 attack when virtually all of the cartoonists in the world drew a weeping Statue of Liberty witnessing the burning twin towers. The satirical newspaper “The Onion” continues to rub salt in this cartoon wound with their parody cartoons that always feature a weeping Liberty. Nowadays the Statue of Liberty kicks Trump out, or Trump is Lady Liberty kicking immigrants. Every famous statue has Trump hair, or a full Trump face, especially the Lincoln Memorial and Mount Rushmore. There are not enough cliché statues for Trump. When passions run high there are too few arrows in the cartoonists’ cliché quiver that are powerful enough to express outrage.
We don’t see positive cartoons about Hillary Clinton either. Cartooning is a negative art and a supportive cartoon is a lousy cartoon. Hillary is a rich character that we have known for decades. There is a grand history with Hillary and Bill Clinton that gives us many more clichés for a broader cartoon palette. If Trump loses in November we should enjoy four years of great Hillary cartoons.


Both Jack Davis and Richard Thompson are among the best cartoonists ever. I met them both through the NCS. I grew up with Jack’s brilliant artwork in Mad Magazine; he was a special influence on my own work and a charming gentleman.
Richard Thompson, in addition to being a successful humorous illustrator for The Washington Post, created one of the most admired newspaper comic strips of the late 20th century, Cul de Sac. In 2009 he was diagnosed with Parkinsons disease , and soon after had no choice but to retire the strip. Richard was given the Reuben Award for Outstanding Cartoonist of the Year in 2011.



That’s Taylor’s Ivanka and puppy Pence at the right. Maybe little Pence doggies will be the political cartooning norm going forward. I look forward to that.




Stars signify pain in cartoons, so the Brexit bonk on the head to the stock market bull seemed appropriate. I put a bunch of texture in this one. Maybe someone will print it big.













