Peter Kuper 2020 Top Ten

Post author By Daryl Cagle
Post date December 28, 2020

Here are Peter Kuper’s Top Ten cartoons of the year that were most reprinted in newspapers. Peter Kuper is a regular contributor to The New Yorker, The Nation and MAD Magazine where he has written and illustrated SPY vs. SPY every issue since 1997. He is the co-founder and editor of World War 3 Illustrated a political graphics magazine that has given a forum to political artists for 40 years. He has produced over two dozen books including The System, Diario de Oaxaca, Ruins (winner of the 2016 Eisner Award) and adaptations of many of Franz Kafka’s works into comics including The Metamorphosis and Kafkaesque (winner of the 2018 Reuben Award) . His latest graphic novel is an adaptation of Joseph Conrad’s Heart of Darkness. He has lectured around the world and has taught comics courses at The School of Visual Arts in NYC and Harvard University

We keep statistics on how many editors, who subscribe to our syndicate service at CagleCartoons.com, download each cartoon. Over the next few days I’ll post Top Ten cartoons from some of our other CagleCartoonists! See Peter’s cartoon archive on Cagle.com

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Andy Singer’s Panel Cartoons in the Editorial Cartoon Spot

Post author By Daryl Cagle
Post date November 12, 2015

Editorial page editors typically reject anything new and different from editorial cartoonists. Unusual styles and formats are just not what editors want to see. Editors like cartoons that look like what they think editorial cartoons should look like – which leads to lots of cartoons that look much the same.

I’ve been a big fan of Andy Singer’s self-syndicated, altie “No Exit” panel for years, and I’ve been encouraging Andy to try his hand at more traditional editorial cartooning. Andy’s panel has content that is socially conscious, like an editorial cartoon, but it is not the right shape, and it is wordy, and it doesn’t have caricatures of politicians and the panel format with a title is simply not something editorial page editors will consider putting in their daily editorial cartoon hole.

What to do? Andy wanted to be on the editorial pages but was committed to continuing the “No Exit” panel. Then he gave me a new pitch, saying, “Daryl, you know, when I put two of my panels next to each other it becomes the shape of an editorial cartoon, and if I do two panels that are on the same topic, and color them, it looks like one big editorial cartoon.” The idea looked interesting to me. The result is rather stylistically different than what editors are used to but Andy’s new editorial cartoon format looks like wordy, multi panel editorial cartoons, and editors seem to be accepting them. The connection between the two panels might be a stretch, but no one seems to notice. So far, so good.

A number of comic strip cartoonists, Like Dan Piraro and Wiley Miller, have been doing their cartoons in both strip and panel format for years. Andy’s work has some format advantages over most magazine gag cartoonists’ work; Andy’s panels are topically editorial cartoons to start with, and he doesn’t have a classic gag cartoon style with a caption at the bottom, which would be more difficult to reformat. Still, it may be that some other socially conscious panel or gag cartoonists could develop a new market by finding a procedure to reformat their ongoing work as editorial cartoons. Andy Singer is the trailblazer.

One of Andy’s new, combined format cartoons for the editorial pages. With the same characters and consistent color and format, it looks right as a single editorial cartoon and is proving popular so far.

Here are a couple more new editorial cartoons from Andy. Follow Andy’s work on Cagle.com here.