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California’s War on Journalism!

Today’s cartoon is about California’s new law, AB 5, that went into effect this week. The law is terrible for cartoonists and Cagle.com. It was intended to force Uber to make their drivers into employees, but overzealous lawmakers overextended into other areas that they didn’t understand, including journalism. Here’s my cartoon …

The law is decimating publishers throughout California. AB 5 affects us at California-based Cagle Cartoons also, because we publish Cagle.com, we’re defined as a publisher rather than just as a syndicate. We’ve dropped a number of California cartoonists from our roster and some of the changes that we were forced to make were painful. Some contributors who were paid are now paid nothing, to comply with AB 5.  Cagle.com features almost all non-California cartoonists and columnists now. (Out-of-state cartoonists and columnists are exempt from AB 5.)

Under AB 5, self-syndicating California cartoonists and columnists are screwed. The bill has a limit of 35 “contributions” per year that a writer or cartoonist can make to a publisher. The bill’s author is quoted as saying that the arbitrary number was selected so that weekly newspaper columnists could not be freelancers and must be employees.

A self-syndicating California cartoonist or columnist might have ten newspaper clients who each subscribe to the same cartoons or columns, each might pay $40/month; AB 5 mandates that this cartoonist or columnist has to be taken on as an hourly employee by each and all of her ten subscribers –of-course, no subscriber would take on a self-syndicating cartoonist or columnist as an employee.

Thirty years ago, altie weeklies were thriving and there were a bunch of self-syndicating cartoonists. It used to be that young cartoonists were advised to start their careers drawing local cartoons for their local paper for a tiny fee. Self-syndicating cartoonists were diverse, with more women and minorities and more diverse points of view than among the mainstream editorial cartoonists. AB 5 would have had a big impact years ago, snuffing out these California cartoonists –but today I fear that the self-syndicating California cartoonists have already died off; young, local cartoonists no longer exist, so there are few or no independent newspaper cartoonists that are left for AB 5 to crush. (If there are any, I’d like to hear about them.)

There’s another interesting point about AB 5 and editorial cartoonists. Some years ago it was conventional wisdom that, “in the future,” editorial cartoons would be animated. The big editorial cartooning awards wanted to be seen as forward-thinking so they selected award winners who did animated cartoons and many award-hungry editorial cartoonists spent a lot of time learning animation techniques. With very few exceptions, animation never caught on in the editorial cartooning business. The Web never developed a culture of paying for content and the remaining political cartoonists have been clinging to the sinking ship of print. AB 5 expressly bans freelance cartoonists from doing even one animation. Animated editorial cartoons can only be done by employees in California. California Democrats slammed the door on our future that never happened.

Legislators who supported AB 5 argue that it is good for journalists and cartoonists, because they need better jobs that get employee benefits. What is actually happening is that the journalists simply don’t get hired and they lose their freelance gigs; the journalism doesn’t get done and the publishers are shrinking and suffering even more. At Cagle Cartoons, we can’t afford to hire any cartoonists or columnists as employees, and none of them would want to suffer the restrictions of being our employees. The idea that publishers, including little Web sites, would hire cartoonists as employees now is whimsical nonsense from another era. In California, the “Gig Economy” is now the “can’t get a gig” economy.

It is ironic that we read so much about President Trump attacking journalism, but the truly effective attacks on journalism come from liberal Democrats in Sacramento.

Another new California law that is costly and risky for us is the California Consumer Privacy Act (CCPA). This new, over-reaching, sloppy law is another bludgeon in my state’s war on journalism. The law is intended to protect consumers by affecting only large companies that trade in consumer information which should be confidential –but it has the added effect of crushing little journalism sites like Cagle.com.  Read my post about CCPA!.


We need your support for Cagle.com (and DarylCagle.com)! Notice that we run no advertising! We depend entirely upon the generosity of our readers to sustain the site. Please visit Cagle.com/heroes and make a contribution. You are much appreciated!


 

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Keefe Decade!

Here are Mike Keefe’s favorite cartoons of the past decade!  Mike is a Pulitzer Prize winner. He was the regular cartoonist for the The Denver Post for many years. He recently retired and moved to Mexico.  See Mike’s favorite cartoons of the decade on USA Todaywhere you can click on each cartoon and see it blown up to fill the screen with a pretty, high-resolution image.  See the complete archive of Mike’s syndicated cartoons here.

Look at our other, great collections of Cartoon Favorites of the Decade, selected by the artists.
Pat Bagley Decade!
Nate Beeler Decade!
Daryl Cagle Decade! 
Patrick Chappatte Decade!
John Cole Decade!
John Darkow Decade!
Bill Day Decade!
Sean Delonas Decade!
Bob Englehart Decade!
Randall Enos Decade!
Dave Granlund Decade!
Taylor Jones Decade!
Mike Keefe Decade!
Peter Kuper Decade!
Jeff Koterba Decade!
RJ Matson Decade!
Gary McCoy Decade!
Rick McKee Decade!
Milt Priggee Decade!
Bruce Plante Decade!
Steve Sack Decade!


We need your support for Cagle.com (and DarylCagle.com)! Notice that we run no advertising! We depend entirely upon the generosity of our readers to sustain the site. Please visit Cagle.com/heroes and make a contribution. You are much appreciated!


 

     

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Granlund Decade!

Here are Dave Granlund’s favorite cartoons of the past decade!

See Dave’s favorite cartoons on USA Todaywhere you can click on each cartoon and see it blown up to fill the screen with a pretty, high-resolution image.  See the complete archive of Dave’s syndicated cartoons here.

Look at our other, great collections of Cartoons Favorites of the Decade, selected by the artists.
Pat Bagley Decade!
Nate Beeler Decade!
Daryl Cagle Decade! 
Patrick Chappatte Decade!
John Cole Decade!
John Darkow Decade!
Bill Day Decade!
Sean Delonas Decade!
Bob Englehart Decade!
Randall Enos Decade!
Dave Granlund Decade!
Taylor Jones Decade!
Mike Keefe Decade!
Peter Kuper Decade!
Jeff Koterba Decade!
RJ Matson Decade!
Gary McCoy Decade!
Rick McKee Decade!
Milt Priggee Decade!
Bruce Plante Decade!
Steve Sack Decade!


We need your support for Cagle.com (and DarylCagle.com)! Notice that we run no advertising! We depend entirely upon the generosity of our readers to sustain the site. Please visit Cagle.com/heroes and make a contribution. You are much appreciated!


 

  

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Darkow Decade!

Here are John Darkow’s favorite cartoons of the past decade! John is the staff cartoonist for The Columbia Missourian.

See John’s favorite cartoons on USA Today where you can click on each cartoon and see it blown up to fill the screen with a pretty, high-resolution image. John’s cross-hatching is very impressive in a large scale!  See the complete archive of John’s syndicated cartoons here.

Look at our other, great collections of Cartoons Favorites of the Decade, selected by the artists.
Pat Bagley Decade!
Nate Beeler Decade!
Daryl Cagle Decade! 
Patrick Chappatte Decade!
John Cole Decade!
John Darkow Decade!
Bill Day Decade!
Sean Delonas Decade!
Bob Englehart Decade!
Randall Enos Decade!
Dave Granlund Decade!
Taylor Jones Decade!
Mike Keefe Decade!
Peter Kuper Decade!
Jeff Koterba Decade!
RJ Matson Decade!
Gary McCoy Decade!
Rick McKee Decade!
Milt Priggee Decade!
Bruce Plante Decade!
Steve Sack Decade!


We need your support for Cagle.com (and DarylCagle.com)! Notice that we run no advertising! We depend entirely upon the generosity of our readers to sustain the site. Please visit Cagle.com/heroes and make a contribution. You are much appreciated!


 

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Chappatte Decade!

Our talented Cagle-Cartoons-Colleague Patrick Chappatte lives in Switzerland and drew for many years for the international edition of The New York Times; his cartoons appeared prominently on The New York Times Web site and it looked like Patrick was close to getting the cartoon-phobic Old Gray Lady to embrace him as it’s editorial cartoonist for all of their editions when an obscure editor in Hong Kong selected an anti-Semitic cartoon by another cartoonist to run in the Times’ international edition. The Times over-reacted, not by educating, or firing the errant editor, but by banning all traditional editorial cartoons from all of the their editions. Patrick is the only cartoonist I’ve ever heard of, who was fired because of a cartoon that someone else drew, and because of a bad decision made by someone else’s editor.

Cartoonists are still angry with The New York Times, but Patrick has landed on his feet; he now draws for the European newspapers Le Temps and NZZ am Sontag; we’re proud to syndicate Patrick’s excellent work. Read about the NY Times dropping all editorial cartoons and read Patrick’s response. Cartoonists from around the world drew cartoons in support of Patrick when he was fired, see some of them here.

See the cartoons that Patrick selected as his favorite cartoons of the decade for USA Today where you can click on each image to see a very big, pretty view, or see Patrick’s favorites on this page by scrolling down.  See the complete archive of Patrick’s syndicated cartoons here.

Look at our other, great collections of Cartoons Favorites of the Decade, selected by the artists.
Pat Bagley Decade!
Nate Beeler Decade!
Daryl Cagle Decade! 
Patrick Chappatte Decade!
John Cole Decade!
John Darkow Decade!
Bill Day Decade!
Sean Delonas Decade!
Bob Englehart Decade!
Randall Enos Decade!
Dave Granlund Decade!
Taylor Jones Decade!
Mike Keefe Decade!
Peter Kuper Decade!
Jeff Koterba Decade!
RJ Matson Decade!
Gary McCoy Decade!
Rick McKee Decade!
Milt Priggee Decade!
Bruce Plante Decade!
Steve Sack Decade!


We need your support for Cagle.com (and DarylCagle.com)! Notice that we run no advertising! We depend entirely upon the generosity of our readers to sustain the site. Please visit Cagle.com/heroes and make a contribution. You are much appreciated!


 

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Favorite Cartoons of the Decade

Here is my selection of my favorite cartoons of the decade. See them on the USA Today site here.

I pitched the idea to Gannett of running collections of favorite cartoons of the decade every day in December, the last month of the decade, with a selection by a different cartoonist each day. We, along with USA Today, selected the CagleCartoonists we would invite to participate and we asked them each to choose their favorite cartoons from the past ten years. I submitted twenty-nine batches of cartoons, selected by each of twenty-nine of our CagleCartoonists.  USA Today plans on showcasing their own Gannett employee cartoonists, Thompson, Marlette, Murphy and Archer, through Thursday, with our CagleCartoonists finishing out the month, starting this Friday with Pat Bagley.

USA Today started off their daily, decade slideshows today with their talented cartoonist, Mike Thompson, who also did the work of laying all of these collections out for The USA Today Network sites (that includes the individual Web sites for all of Gannett’s 100+ daily newspapers). Visit USA Today’s Opinion page online to see these every day this month. Click on each cartoon in each slideshow to see a full-screen, high-resolution version of each cartoon, which is very nice.

It is very difficult to select a small batch of cartoons to represent an entire decade!!

Getting twenty-nine CagleCartoonists to each select a decade of favorites was challenging. Obama certainly got shorted as many cartoonists are obsessed with Trump now. A couple of cartoonists selected only Trump-bashing cartoons, which made for a poor representation of the decade –but hey, the fact that the cartoonists chose their own favorites made this project interesting.  Some cartoonists, who have been with us for less than ten years, had to dig into their personal archives to cover the whole decade, so some of the cartoons haven’t been seen on Cagle.com. New Yorker/Mad Magazine/graphic-novelist Peter Kuper joined CagleCartoons.com just a couple of months ago and had to dig up his whole collection from his magazine gag cartoon archives. Dave Whamond and Ed Wexler, who joined us more recently, reached into their vaults for some of their early-decade cartoons; Ed selected some from when he was regularly drawing for US News & World Report magazine. Mike Keefe and Bill Schorr came out of their recent retirements to contribute their selections of favorites.

I wouldn’t call these selections the “best” of the decade, they are just the artists’ choices. I also can’t say that they represent the decade well (but what the heck).

Look at our other, great collections of Cartoons Favorites of the Decade, selected by the artists.
Pat Bagley Decade!
Nate Beeler Decade!
Daryl Cagle Decade! 
Patrick Chappatte Decade!
John Cole Decade!
John Darkow Decade!
Bill Day Decade!
Sean Delonas Decade!
Bob Englehart Decade!
Randall Enos Decade!
Dave Granlund Decade!
Taylor Jones Decade!
Mike Keefe Decade!
Peter Kuper Decade!
Jeff Koterba Decade!
RJ Matson Decade!
Gary McCoy Decade!
Rick McKee Decade!
Milt Priggee Decade!
Bruce Plante Decade!
Steve Sack Decade!


We need your support for Cagle.com (and DarylCagle.com)! Notice that we run no advertising! We depend entirely upon the generosity of our readers to sustain the site. Please visit Cagle.com/heroes and make a contribution. You are much appreciated!


 

 

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Troubled Cartoonist Stew –And YOU!

I wear three hats, as a cartoonist and as the leader of a “syndicate” that resells a package of editorial cartoons and columns to over 800 newspapers in the USA –my third hat is running our big Cagle.com Web site. I love editorial cartoons. I do what I love. But, love can be painful …

Our troubled editorial cartooning profession has been losing employee positions in roughly the same proportion as all newsroom jobs lost over the past couple of decades. Journalism has become a freelance profession, and so has editorial cartooning. Three of our CagleCartoonists recently lost their jobs, Patrick Chappatte with The International New York Times, Nate Beeler with The Columbus Dispatch and Rick McKee with The Augusta Chronicle. Bad news for editorial cartoonists seems to be coming in at a faster clip.

Conservative editors don’t like the liberal cartoons; angry readers demand retribution from newspapers and cartoonists who offend them; timid newspapers fear losing readers who are easily offended; all are just spice in our complex stew, which started brewing when newspapers lost their the bulk of their advertising revenue to the internet, and began a slow decline in circulation.

Online clients haven’t replaced print clients for us. As print declines, online publications don’t hire cartoonists and have not developed a culture of paying for content, and few of them purchase syndicated cartoons.  We have some great online clients, like FoxNews.com and CNN.com, but they are the exceptions.
There are now between 1,300 and 1,400 daily, paid circulation newspapers in the USA. Thirty years ago there were over 1,800 dailies and over 130 employee editorial cartoonists –only a very small percentage of newspapers ever hired staff cartoonists. The vast majority of American newspaper readers have seen editorial cartoons through syndication. The number of syndicated editorial cartoonists hasn’t changed much in the past 50 years.

In recent years as newspapers continue to struggle, rates for syndicated cartoons have declined, but cut-rate deals for packages of syndicated cartoons have driven rates close to zero. Larger syndicates “bundle” editorial cartoons with their comics, essentially including the editorial cartoons for free. Editorial cartoons are thrown into packages with puzzles and advice columns, in cheap weekly, college and specialty offerings.  Editorial cartoons are sometimes sold in group deals for “pennies per paper.”

In general, 20% of the cartoonists get 80% of the reprints, so the majority of editorial cartoonists have always struggled in a difficult profession and have never earned a lot. The same percentage still applies to slices of today’s smaller pie.

American editorial cartoonists are mostly liberal, and most American newspapers are rural and suburban papers serving conservative readers, so there is a supply and demand disparity. Liberal cartoons don’t get reprinted as much, because there is an over-supply of liberal cartoons. That said, conservative cartoons expressing strong opinions also don’t get reprinted much. The cartoons that are increasingly the most reprinted are the funny cartoons that express little or no opinion at all.

One of our clients, The China Daily, is owned by the Communist government in China; they asked me, “Daryl, how many of your cartoons express no opinion? Those are the cartoons we want.” The Chinese aren’t much different from American editors in this regard –except that they are more blunt.

When Trump was elected we were flooded with calls from unhappy editors complaining that, “all the cartoons I like have stopped!” The problem was that cartoonists stopped drawing the Hillary and Obama bashing cartoons that conservative editors preferred. We put up a selection of “Trump Friendly Cartoons” near the top of our CagleCartoons.com site that helps conservative editors find the cartoons they like in a sea of liberal cartoons they dislike; this helped to stop the hemorrhaging of conservative subscribers.

Cartoonists don’t draw for their clients, we draw whatever we want. We’re macho like that. Clients be damned. Sometimes that attitude comes back to bite us. Everything seems to be biting us these days.

We’ve also seen a continuing trickle of newspapers drop their entire editorial pages, including the editorial cartoon. I’m told that editorial pages make readers angry and don’t bring in income. And, of-course, newspapers are going out of business.

Cartoon by Robert Rousso!

I’m often asked about whether Trump and our polarized political environment are behind the decline of editorial cartoons. There is plenty that is wrong in our troubled profession, but it isn’t as simple as editors rejecting the Trump-bashing cartoons. This stew was brewing long before Trump.

Editorial cartoons are an important part of journalism. Don’t let editorial cartoons disappear!

Here at CagleCartoons we syndicate a package of great cartoonists to more than half of America’s daily, paid-circulation newspapers; we’re an important source of income to our struggling cartoonists. Our Cagle.com Web site is free and runs no advertising –the site is entirely supported by contributions from our readers. We need your support. Cagle.com is an important resource for editorial cartoonists around the world and is used in Social Studies classrooms throughout America. Help us survive!

Please visit Cagle.com/Heroes and make a contribution to support our art form and to keep our site online and free, with no advertising!

–Daryl Cagle

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NY Times and Dachshunds!

Cartoon protests continue to rage around the world, in response to the New York Times” decision to drop all editorial cartoons after they were criticized for for choosing to publish an anti-Semitic cartoon. Here’s another one from me …

You may notice that this blog and Cagle.com don’t run advertising. Cagle.com is supported entirely from reader contributions –you make the site happen! Cagle.com is the face of editorial cartooning to the world. Please support us and our endangered art form with a contribution to keep our site up and keep our cartoonists drawing! Visit Cagle.com/Heroes, even if you’ve contributed before, even if you can only afford a tiny donation, we can’t let our important graphic voices go silent! Editorial cartoonists face extinction now more than ever before!

For more about the New York Times vs. Cartoonists, visit these past posts:

From 2019: More New York Times Cartoon Blowback

From 2019: Cartoons About No More New York Times Cartoons

From 2019: The New York Times Trashes Cartoonists

From 2015: The New York Times, A Student Contest and Editorial Cartoons

From 2012: The New York Times Cartoon Kerfuffle

From 2012: The New York Times Cartoons Kerfuffle Part 2

From 2007: The New York Times and Cartoons

Here’s a great column by our own Brian Adcock for The Independent.

Here’s an excellent column by Martin Rowson, for The Guardian.

Here are some more New York Times bashing favorites that came in after my last post. This one is by Angel Boligan from Mexico City.

This one is by Nikola Listes from Croatia …

 

This is by Joep Bertrams from Holland …

 

This one is by Hajo de Reijer from Holland …

This one is by Tchavdar Nicolov from Sofia, Bulgaria …

 

This one by Dave Whamond sums it all up …

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More New York Times Blowback

The New York Times’ stupid decision to stop publishing editorial cartoons is generating more articles around the world, and the world’s cartoonists are responding with lots of cartoons on the topic – some of the cartoons are more offensive than Antonio Antunes’ cartoon, and I won’t show them here, but I’ve posted some new ones here.

Courrier International, the great French news magazine that reprints lots of editorial cartoons by international cartoonists, asked me a bunch of questions for an upcoming article; I thought I would post my responses here.

1) As a cartoonist and founder of Cagle Syndicate Cartoon, what do you think of the incriminated cartoon by Antonio Moreira Antunes?

This is the famous, offending cartoon by Antonio Antunes.

I would have killed the cartoon if it came in to us. I can also see how the cartoon could have slipped through, without notice, since the cartoon didn’t feature an obvious, anti-Semitic, Der Stürmer cliché like depicting a Jew as a rat or spider.

The Antonio cartoon illustrates the trope that Jews manipulate the world’s non-Jews, with yarmulke-wearing Trump blindly following Jews, which are broadly indicated by the Star of David the Netanyahu-dog wears on his collar, rather than having the dog wear an Israeli flag which would indicate that Trump is led by Israel. When cartoonists mix anti-Israel and anti-Jewish metaphors, the cartoons should be killed. It isn’t about the dog, although the choice of a German Dachshund is provocative; the most common anti-Semitic cartoons depict Jews as Nazis.

This cartoon is by French cartoonist, Pierre Ballouhey. “Teckel” is French for Dachshund.

When we get an anti-Semitic cartoon from one of our cartoonists, I email the cartoonist letting him know why we killed his cartoon, and usually the cartoonist will say, “OK, I get it.” Over time, our cartoonists have learned where we draw the red lines and it is less of a problem for us. Anti-Semitic cartoons are so common around the world that the cartoonists are usually unaware that their cartoons are offensive.

2) Did the decision made by the NYT surprise you (that is : did you see it coming?)? What’s your reaction?

The Times doesn’t run editorial cartoons in their USA edition and has a long history of being cartoon-unfriendly, so their decision to stop running cartoons in their international edition didn’t surprise me.

Cartoon by Pat Bagley of the Salt Lake Tribune.

I was mostly surprised that the Times suddenly cut off their relationship with their partner, Cartoonarts International Syndicate, because of the poor decision of a Times editor. Cartoonarts is a family business that has worked with the Times for nearly twenty years, with the Times handling all of Cartoonarts’ sales and online delivery services, which were suddenly cut off. The announcement that the Times would “stop using syndicated cartoons” didn’t describe how brutal their reaction was to a small business that relied on their long-running partnership and support from the Times.

Cartoon by Milt Priggee.

3) Many cartoonists (Chapatte and Kroll, among others) reacted to the NYT’s decision saying : it is a bad time for cartoons, caricature, humor and derision. Do you agree with this appreciation?

Yes, jobs with newspapers are mostly a thing of the past for editorial cartoonists. Outrage is easy to express on the internet and often takes the form of demands for revenge on the publication and the cartoonist who offended the reader. Newspapers are responsive to organized online outrage and shy away from controversy. Cartoons draw more response from readers than words, and responses are usually negative as people who agree with the cartoons are not motivated to email the newspaper.

Cartoon by Hassan Bleibel from Lebanon.

When did things begin to turn ugly, and why?

Editorial cartoonists are in the same, sinking boat as all journalists. Things turned ugly when the internet took the advertising revenue away from print.

Is there a US specificity in this context, especially since Donald Trump was elected president?

Not regarding Donald Trump. I’ve drawn Trump as a dog, and I’ve drawn Netanyahu as a dog. Cartoonists love to draw politicians as dogs. Anti-Semitic cartoons are common around the world but are not common in the USA where editors do a good job of recognizing and killing offensive cartoons.

Cartoon by Neils Bo Bojesen from Denmark.

4) Why is it important to defend cartoonists and press cartoons, according to you? (or: do you think a world without cartoons and caricature has become a serious eventuality? Can you imagine such a world?) What should be done to defend this form of journalistic expression?
5) As a cartoonist and founder of Cagle Syndicate Cartoon, what would you say about the role played by social medias? Do you see them rather as a useful tool or a threat to a good and sound public debate? Or somewhere in between?

It is troubling that so many people get their news through social media. Social media has taken the advertising revenue away from traditional news media – both online and in print – so journalism is being starved. Editorial cartoonists are no different than other journalists; we’re underpaid freelancers now; we draw for love rather than because of any good business sense.

Cartoon by Arcadio Esquivel from Costa Rica.

I run an editorial cartoons site for readers at Cagle.com, and we stopped running advertising on the site. We rely on donations from readers to support Cagle.com. Other publications are going non-profit and relying on donations to support their journalism – I’m impressed with Pro-Publica and the Texas Tribune. The Guardian has been successful with support from their readers.

Cartoon fans who worry about our profession can support us by going to Cagle.com/Heroes and making a small contribution. We really appreciate everyone’s support!

 

Cartoon by Dale Cummings from Canada.

 

Cartoon by Nikola Listes from Croatia.

 

Want to see more of my posts about the New York Times’ ugly, recent history with editorial cartoons?

Visit:

2012, The New York Times Cartoon Kerfuffle, Part 1

2012, The New York Times Cartoon Kerfuffle, Part 2

2007, The New York Times and Cartoons

2015, The New York Times, a Student Contest and Editorial Cartoons

 

 

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Cartoons About No More New York Times Cartoons

An article in The Week reminded me that I had drawn a cartoon about The New York Times not running editorial cartoons back in 2003.

The offending Antonio Antunes cartoon that lost a job for Patrick Chappatte, crushed a syndicate and lost a top venue for all editorial cartooning.

 

 

Here’s another good article about the Times’ decision from our own Brian Adcock.

 

 

And here are some of my favorite cartoons on the subject. This one below is by Jos Collignon from Holland.

 

This one is by Emad Hajjaj from Jordan.

 

This one is by Randy Bish from Pittsburgh. 

 

This one is by Jose Neves from Montreal.

 

This one is by the great Dario Castellejos from Mexico.

 

This one is by Kevin Siers of the Charlotte Observer.

 

This is by Robert Rousso from France.

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Chinese Hackers! Ouch!

On Thursday night, last week, we suffered an unusually effective series of attacks from Chinese hackers against our database server that have brought our database and our CagleCartoons.com download site down, along with our PoliticalCartoons.com store site.

Chinese hackers, looking over my shoulder.

On Friday, my valiant editors Brian and Stacey Fairrington, answered over 250 calls and emails from editors to give them the new, emergency, interim Google Drive cartoon download location where we set up a temporary download site for the recent cartoons. Our new columns are available on Cagle.com, see them on the front page at the right. (If you’re a client who needs access to the interim Google Drive site to download the recent cartoons, email [email protected] and we’ll give you the link.)

Our cartoonists should email new cartoons to us at [email protected], which goes to all of us; we will manually add your cartoons to the Google Drive interim download site and we will be sending new cartoons out to the editors who take email delivery through MailChimp until we have a new CagleCartoons.com back up with a new database and server. We’re updating Cagle.com manually for now, so it may be slow to display new cartoons. Payments to the cartoonists who get paid quarterly went out a couple of weeks ago, and the royalty checks for the monthly cartoonists went out this weekend, for January. Don’t worry, the cartoonists have all been paid!

The Chinese hackers, who leave lots of Chinese language files and malware on our database server every time they break in, have been watching as we repair the server and they come back each time repairs are made to tear the server down again. We’ve tried but we can’t keep them out of our outdated system. The hackers win this round. We had to give up on the old server and we’re scrambling to re-write our management system to work with a current SQL server.

Regular readers know how we’ve had continuing problems with hackers attacking Cagle.com, mostly with DDos/denial of service attacks. Thanks to the generosity of Cloudflare, we’re fending off the DDos attacks.  The current problem is that we were using an older database and server for our CagleCartoons.com syndicate site and PoliticalCartoons.com store site, which left us vulnerable. We were too complacent, since the attacks were all against Cagle.com in the past. Our old database system worked so well that I hated the prospect of the cost and hassle of recreating it with newer, more defensible code.  I procrastinated too long.

We don’t keep confidential information online. No credit card information was stolen.

The editors have all been lovely about this and we haven’t gotten any complaints – at least not so far. It has been nice to see the support and goodwill from our subscription clients at a time when they could justifiably be grouchy.

I also appreciate the heroic efforts of our staff, Theo, Brian, Stacey and Rob, who have really stepped up this weekend to make things work through our database crisis.

I hate inconveniencing everyone. Thanks for your patience with this mess! We hope to have new versions of the CagleCartoons.com and PoliticalCartoons.com sites up soon.

Perhaps I’ve been drawing too many cartoons of Xi Jinping as Winnie the Pooh.

 

 

 

 

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Come see my Lecture at CSUN on Monday

I’ll give a lecture at California State University Northridge (CSUN) next Monday (November 20th) from 4:30pm to 6:00pm at Manzanita Hall Room 213, on the west side

of campus. It is free, but visitors need to buy a parking pass at an information booth or at a kiosk. Anyone can come who wants to come.

This is being put on by the University’s student SPJ chapter; their journalism professor, Stephanie Bluestein, is my local Los Angeles SPJ Chapter Chairman. I’ll give a PowerPoint presentation with lots of cartoons, and I’ll talk about my work, how my syndicate works, and issues for editorial cartoonists around the world. There will be a one-hour lecture with a half hour of Q&A. The map of where to go at CSUN is below.

I don’t get out much so this is a rare opportunity to see the real me. Don’t be shy. Come on by.