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Bob’s Crazy, Viral, Pirate Weekend

This was a crazy, viral, pirate weekend for cartoonist Bob Englehart of the Hartford Courant. We syndicate Bob’s cartoons.

We found out about the crazy-popular pirated cartoon when we started getting media inquiries about the viral image with about 200,000 shares on Facebook. CBS’s Face the Nation and ABC’s Good Morning America wanted permission to run the cartoon. We told everyone “no.” CNN wouldn’t take “no” for an answer; after we refused their request, they went to our automated Politicalcartoons.com site and purchased the original cartoon, then showed it on Sunday morning along with the pirate version.

Read my posts from Facebook about the crazy viral weekend, and see the two versions of the cartoon below (the pirate version is at the bottom of the page.)

Bob’s original cartoon.

 

My first Facebook post on this:

Shame on you, SPLC.

I’m usually a fan of the Southern Poverty Law Center, but they are lawyers and they should know better than to steal and alter copyrighted works.

This cartoon is stolen from cartoonist Bob Englehart of the Hartford Courant, who we represent at CagleCartoons.com andPoliticalcartoons.com. Bob’s signature and attribution have been crudely removed from the third panel, and the last two panels with the rainbow flag were added by SPLC or another copyright pirate.

Interestingly, the “CAGLECARTOONS.COM” URL at the bottom left was also added and didn’t exist in the original cartoon, which can be seen here:http://tinyurl.com/obfjh7y – where the SPLC could have purchased permission to post the cartoon for $20.00.

If they had asked nicely, we probably would have allowed the SPLC to run the cartoon for free, without alteration. Or they could have posted this John Darkow cartoon with the same message as the altered/pirated Englehart image: http://tinyurl.com/qxqz35g

I’ve reported the copyright infringement to Facebook. The cartoon should be removed from the SPLC page and over 180,000 Facebook sites that have shared the altered/pirated cartoon.

Now, I’m back to my drawing board where I’m working on my own cartoons celebrating the Marriage Equality ruling and the renewed opposition to the Confederate Battle Flag.

Your hearts are usually in the right place, SPLC – but artists’ work should be respected.

 

My second Facebook post:

The SPLC posted the statement below on their Facebook page, along with the original Bob Englehart cartoon. Bob and the Hartford Courant are graciously not asking that over 190,000 shares be removed.

That said, perhaps I am nit-picking, but I find the SPLC’s description of “the problem” to be troubling. The SPLC writes,”The problem? Well, we got the credit wrong. And the cartoon was modified from its original form.” They did more than get the credit wrong, they took a cartoon they found on Twitter and posted it without attribution or permission, making no effort to figure out who the artist was.

This is the attitude I see everywhere on the Web, where little respect is given to artists. I see lots of accolades posted on the SPLC page for making their correction, but I think the correction falls short. Perhaps I’m not as gracious and Bob, Bob’s editors at the Hartford Courant, and all the commenters on the SPLC page.

This is all everyday stuff for editorial cartoonists – what makes this case interesting is the stunning 190,000+ shares. In most cases where editorial cartoons are altered without permission, the changed cartoon is made into hate speech, or at least an opinion opposed to the original cartoon, and the altered cartoon is seen by few people. Removing Bob’s signature and attribution shows the intent of the pirate that the creator of the original work not be recognized (recognition of the original creator is a requirement for a “transformative” work to qualify as “fair use.”)

Here, the changed cartoon reflects a point of view that Bob agrees with, and the SPLC is a respectable group. I suppose that makes this easier for Bob and his editors to swallow. I withdrew my own demand that Bob’s cartoon be removed from Facebook at Bob’s editor’s request.

And Bob is, in fact, quite a gracious guy. As is his editor.

–Daryl

 

SPLC’s Post:

On Friday, we posted a cartoon that seemed to perfectly encapsulate a tremendously emotional week. Five panels depicting the Confederate battle flag going down a flag pole, representing the political conversation following the horrific events in Charleston, South Carolina, and a rainbow (LGBT pride) flag going up in its place, representing the Supreme Court’s decision to make marriage equality the law of the land.

And did it resonate. At this moment, the post has nearly 260,000 Likes and over 190,000 shares.

The problem? Well, we got the credit wrong. And the cartoon was modified from its original form.

On Sunday we learned that the first three panels of the Confederate flag going down was the work of Hartford Courant editorial cartoonist Bob Englehart, who originally posted it on June 22nd (see here:http://sp.lc/OXaHP).

Someone had added the last two panels of the rainbow flag being raised. In doing so, they removed the original caption “Going…going…gone” and, even worse, deleted Mr. Engelhart’s signature, which also included the date and the Hartford Courant copyright.
We screwed up. We found the image on Twitter and credited the editorial cartoon syndicate Cagle Cartoons, which appeared in the doctored cartoon.

Thankfully for us, an editor at the Hartford Courant generously asked that we only correct the record here, which we were eager to do.

In sum: We apologize to Mr. Englehart and his colleagues at the Hartford Courant. Everyone here who liked that post should go over and check out his work. If that cartoon resonated, you’ll be pleased to know Mr. Englehart publishes multiple times a week.
http://www.courant.com/opinion/cartoons/

– SPLC digital team

The pirate cartoon is below.

PirateEnglehartFlag
The pirated, altered version of Bob’s cartoon.

 

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Daryl Has a Cow

MeandJosette400wide Daryl Has a Cow cartoons

Here I am with my cow, Josette. I’m holding the St. Just porcelain statue depicting their logo that they give to grand prix winners.

I just got back from the grand editorial cartooning festival in St. Just le Martel, France where I won the grand prix, the “Prix de l’humor Vache” award, which was an actual cow, named Josette.

The “Salon de St. Just, ” in its 32nd year, draws cartoonists from around the world to a tiny town near Limoges.  The townspeople have adopted the cartoonists and hold a party that stretches over two weekends, in a grand cartoon museum they built in the middle of cow country.  Most of the cartoonists stay in the homes of volunteer villagers – the entire event is put together by townpeople  Cartoonists usually come for only one weekend of the festival, splitting the crowd between what becomes two different weekend groups of roughly 120 cartoonists each.

This was my second “Salon,” last year I went with our knuckle-dragging, conservative, “Tea Party” cartoonist, Eric Allie, who was a strange beast to the French.  This year I went with three liberal cartoonists, Pat Bagley of the Salt Lake Tribune, Steve Sack of the Minneapolis Star-Tribune, and Bob Englehart of the Hartford Courant for three days of open bar and schmoozing with our international colleagues.

Cowboys400wide Daryl Has a Cow cartoons

Here I am with my Cagle Cartoons colleagues, dubbed “Cagle Cowboys”, from left, Josette, Pat Bagley, Me, Bob Englehart and Steve Sack below.

My festival friends tell me that a cow is usually a placid animal, but sometimes the cow will get annoyed and give a swift, painful kick as a surprise to an unlucky bystander; this contributes to the idea that the cow is a little sneaky, nasty and unpredictable.  The “Prix de l’humor Vache,” the grand prize they gave me, is described as an award for “caustic humor.”  “Humor Vache” (funny cow) rhymes with “Amour Vache” (love cow, or more accurately “rough love”) a French idiom for a love affair that is nasty, consisting of harsh words and arguments.  In France, to refer to someone as a “vache” (cow) is a little bit nasty.  In contrast, on the first Saturday of the Salon, they give out the “Humor Tendre” (Tender Humor) award, which is a sheep, given to a sweet cartoonist such as a children’s book illustrator.

The Limoges area is proud of their cows, which are raised for beef and are all a warm brown color.  The cow is the symbol and mascot of the Salon.  Every year, the “Prix de l’humor Vache” cow is named “Josette” and is actually given to the winning cartoonist.  At the ceremony, the mayor of St. Just, Gerard Vandenbroucke, awarded Limoges porcelain cows to my three American compatriots, dubbing them “Cagle’s cowboys.” Bob, Pat and Steve, who can also claim to have won cows (although, not real cows) took their little cows around to all the other cartoonists at the Salon to sign; it was charming.

StJustPosterforBlog Daryl Has a Cow cartoonsTypically, the winning cartoonist is expected to take a cash award (I still don’t know how much) in lieu of actually taking delivery of the real Josette, who would be difficult to check on a plane and would likely be an unpleasant roommate in my tiny, Nashville apartment.  But, they make it clear that the cartoonist really won a cow and could actually take the cow if he or she chooses to, and there are stories of cartoonists in past years choosing to take the cow.  I’m told that are some amusing movies of a past winner taking his cow to Paris, trying to bring the cow on the Metro, and taking the cow up the Eiffel Tower.  If anyone can find these movies online, I’d love to take a look.

Part of winning the grand prize cow is the obligation to do the art for the poster for the next Salon.  The poster this year featured a lovely Degas-like ballerina cow. The festival people then dress a cow sculpture, in the entry to the museum, to match the cow on the poster.  My plan is to give the cow on next year’s poster a very elaborate costume that will be a unique challenge for a St. Just volunteer to create for the cow statue.  Right now, I’m thinking of doing the poster cow as Marie Antoinette with a huge, elaborate, flowing gown.

Daryl Has a Cow cartoons

Here’s Bob Englehart with the cow statue at the entrance to the exhibition. The cow is dressed to match the poster which is a ballerina this year. Next year I’ll be doing the poster and I plan to put the cow in a very elaborate costume that will be a challenge for St. Just’s volunteer seamstresses.

The whole event in St. Just is a lovely boost for our beleaguered editorial cartooning profession which is suffering in France as it is here and around the world with newspapers declining everywhere.  I’d love to see some of the great French attitude about the value of editorial cartooning rub off on other parts of the world, like America, which treats cartooning as a second class art form.  I can’t imagine a whole town in the USA choosing to build a municipal cartoon museum, opening their homes, and pitching together to cook dinner for hundreds of editorial cartoonists – and, of-course, a nine day open bar would be unthinkable in America.

1375278 10151580985341735 237710961 n Daryl Has a Cow cartoons

From left to right, Bob Englehart, Stave Sack, St. Just’s Mayor Gerard Vandenbroucke in the red shirt, me holding my “Prix de l’humor Vache” porcelain statue, Josette, and Pat Bagley in the lower right corner.

Below is a scan of the Limoges newspaper front page and interior story from the day after I had a cow.

FrontPage600Wide Daryl Has a Cow cartoons

Page7 600wide Daryl Has a Cow cartoons

 

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Come See Daryl Cagle in Knoxville and St. Just le Martel!

I will crawl out of my spider hole for two events!  Come see me!

I’ll be speaking, and giving a Powerpoint presentation, to the Southeast Chapter of the National Cartoonists Society (NCS) in Knoxville, TN on Saturday, October 26th, at about 11:00am, at the Crowne Plaza Knoxville (University), in Salon B on the mezzanine level.  The NCS chapter folks tell me that anyone can come, so here is your chance to tell me off face to face, no hiding behind those nasty e-mails.

affiche web

I’m impressed with the NCS Southeast Chapter, they put on an ambitious gathering and have a lot of cartooning luminaries in their ranks.  I’m looking forward to it.

Next week I’m going to the big, international, editorial cartooning convention in St. Just le Martel, France.  This is a little town that has decided that they love editorial cartoons – they built an impressive cartoon museum and the whole town comes out in wholehearted support of our troubled art form. They also love cows; this is French cow country, down by Limoges.

Three of the cartoonists I syndicate are coming along, Pat Bagley of the Salt Lake Tribune, Steve Sack of the Minneapolis Star-Tribune, and Bob Englehart of the Hartford Courant.  I think this will be the biggest American turnout that little St. Just has ever had.  And none of us speak French.  Here is a list of all the attending editorial cartoonists, and the days that they will be in attendance.

So, if there are any editorial cartooning fans in France who want to visit with some obscure, American editorial cartoonists, the four of us will be hanging with all the other world cartoonists at the cartoon museum the second weekend of the Salon, October 4th, 5th and 6th.

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Cartoons About Mitt's Libya Blunder

Mitt Romney’s comments following the attack on the American consulate in Benghazi, Libya that killed Ambassador Chris Stevens and three other Americans has been referred to as a “Bungle… utter disaster…not ready for prime time… not presidential… Lehman moment.” And that was just from Republicans!

Our cartoonists, despite kicking back in Washington D.C., preparing for this year’s Association of American Editorial Cartoonists’ (AAEC) Convention, have also put pen to paper in response to Romney’s highly-politicized remarks.

Arizona Daily Star cartoonist David Fitzsimmons doesn’t think Romney is ready for primetime:

Bill Day decided to draw Romney being hung by his own tongue:

Bob Englehart of the Hartford Courant drew Romney giving his press conference on the grave of the diplomats who lost their lives in the attack:

While Bill Schorr drew the Republican Presidential nominee leaving something behind in the cemetery:

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Englehart Suspended For Controversial Cartoon & Blog

Our very own talented cartoonist, Bob Englehart of the Hartford Courant, has been suspended for a week without pay over a cartoon and blog post he filed criticizing Connecticut’s plans for inner city schools.

In a blog post accompanying the cartoon to the right, Englehart’s target was Connecticut Governor Dannel Malloy’s school-reform drive, which he gave good marks overall, but questioned how much help any government can offer if parents aren’t doing a good job raising their kids.

“Inner-city poor and minority-filled schools aren’t going to change until we can somehow change the pervasive core of the problem: dysfunctional inner-city poor minority families,” Englehart wrote in a blog post. “Sure, we hear of an occasional winner come out of the ghetto. Movie stars, athletes, business people, we know their stories, but they are the very rare exception. For the most part, losers raise losers. Somehow we’ve got to get to these families and teach them how to respect education. Till then, nothing will change.”

It was the “losers raise losers” line that caught the eye of New Haven Mayor John DeStefano, who saw the blog post prior to it being removed by the Hartford Courant.

“I don’t think it was inner city schools, I think it was particularly kids of color, quite honestly, that he was focusing on, you know, let’s be honest about it, that’s what he was doing and again, I say that only in the sense of it sounded like to me like a not particularly well thought out remark,” said DeStefano.

Bob Englehart

Englehart issued an apology for the post. Many have come to his defense, including Courant columnist Colin McEnroe, who agrees with the sentiment of what Englehart wrote, just not his choice of words.

“Kids in Simsbury and Wilton are born on second base, and they spend their school years rounding third and barreling for home as their parents pace the sidelines with stopwatches,” McEnroe wrote. “So slapping on a bright coat of of the trendiest education reforms or pumping in a modest amount of extra money — while not terrible ideas — are not going to fix the problem. And suggesting, as Malloy seemed to do, that education could be considered separately from its context seems equally wrong. I mean there’s a reason why the 20 to 25 worst schools are all in cities.”

McEnroe also criticized the Courant for pulling down Englehart’s cartoon and blog post.

“Newspapers are all about the examined record. We scream loudly when somebody else tries to obliterate a record. We spend our careers chasing down stuff that somebody wanted to take back or wipe away.. Newspapers should never, never, never get into the business of squelching.”

Here’s a news report from WTNH News 8 about the incident: