Here’s my second cartoon for the altie-weekly Nashville Scene. It is about a crazy 38 house development, with 35 foot high houses on tiny lots, planned to be built next door to me. This isn’t just a “nimby” (“not in my backyard”) issue, Nashville is growing like a weed, a stupid, unplanned weed, so I’m drawing a series on the topic. “Dale and Associates” is a former Nashville City Councilman, Roy Dale, who lobbies his old cronies to get big construction projects approved in town – a local version of the same nasty kind of lobbying we see in Washington when legislators retire to K Street.
I may get mad at something else and keep drawing local cartoons when this nimby battle is over, or I may pick at this scab for a while. I regret that local cartoons are so rare these days – local cartoons are the most fun and can have an impact, but they have to be drawn out of passion, rather than business sense.
Here’s Commander-in-Chief Hillary! Back in 2008 there was a lot of chatter about whether Hillary was up to the job of commanding the troops. Hillary told a story about how she was “dodging bullets” as she flew into Bosnia – a story that would have shamed even Brian Williams.
We also heard a lot about how Hillary thought America would rather she got an emergency call at 3:00 in the morning, instead of Barack Obama. I drew a cartoon similar to this one in 2008, with Hillary’s medals, and I realized that in only seven years, many of the medals have changed, but Hillary is basically the same. Here’s a new, updated version of my military, Hillary golden oldie. Come see our big collection of Bill ‘n Hillary cartoons.
Here’s a local Channel 2 news report on the neighborhood meeting at my house yesterday, to oppose a new housing development that is proposed for next door. You can see my rural, possibly soon to be urban, cabin and my big Steve Sack oil painting on the wall of my living room, along with a house full of angry neighbors.
Yes, I’m going to Kiev, Ukraine this month for an exhibition and some lectures, with my buddies from Eurforion and the brilliant, Slovak cartoonist, Martin “Shooty” Sutovec.
We get so much dire news about Ukraine that I’m eager to see if the attitude in Kiev is as grim as it seems to be from here. They are spunky underdogs in Putin’s shadow.
Nashville is growing like a weed, and though officials talk about planning, they really just approve every stupid proposal. I’m awakened to this by an absurd, huge development of 38 houses, each 35 feet tall, planned for the lot next door to my rural zoned, Nashville house.
In the coming weeks I’ll try pushing the limits on how rude I can be to local public servants – hey, its an altie-weekly, I should be able to get nasty. Here’s the first softball.
We just saw yet another terror attack provoked by cartoons of the prophet Muhammad, this time at a “Draw Muhammad” cartoon contest in Garland Texas. A competent cop shot two home-grown terrorist gunmen before much damage was done. The event was organized by a right-wing group called “Stop Islamization of America” that was best known for opposing the construction of a mosque in Manhattan. The Southern Poverty Law Center lists them as a hate group, which they deny.
Cartoonist Rénald “Luz” Luzier, who drew the famous Charlie Hebdo cover after the shootings in France, recently decided he would no longer draw Muhammad cartoons. I can sympathize with Luz’s choice, since he’s now “typecast” as the premier Muhammad cartoonist – It seems reasonable that Luz wouldn’t want his career to be boiled down to being the “Muhammad cartoon guy.”
I’m an editorial cartoonist; I haven’t drawn a Muhammad cartoon myself, because I haven’t been inspired to do so. I shy away from drawing cartoons that some people would find offensive. I don’t use four letter words, or the “N-word” in my cartoons. I don’t draw sexually explicit cartoons. Offensive subject matter in cartoons can be so loud that it drowns out anything else I might want to say in a cartoon, except, “Look, I have the freedom to draw something offensive.”
Many cartoonists have drawn Muhammad cartoons, and racist cartoons, and dirty cartoons; that’s fine, that’s their business – but drawing offensive stuff just to draw attention to myself, or to prove that I have the right to do so, just looks like lousy cartooning to me. The Charlie Hebdo cartoonists were doing more than that; they were addressing issues in French culture that were important to them, and rejecting all religions that they felt didn’t fit with their secular society.
I knew three of the five Charlie Hebdo cartoonists who were murdered earlier this year and I got to know more of them at French cartoon festivals. They have a genuine passion for their issues and our conversations always turned to a discussion of their religion-bashing cartoons. Here in America we’re not faced with the same social pressures and similar cartoons here should seem out of place.
The “Stop Islamization of America” people, who sponsored this contest, are poking the extremist Islamic beast to elicit a predictable response. This violent, cartoon stimulus and response will surely continue to be repeated.
It doesn’t matter that I personally don’t choose to draw Muhammad cartoons, or that most cartoonists don’t care to draw offensive cartoons, all editorial cartoonists are now being seen as recklessly poking surly Islamic beasts. My profession is being painted with the Muhammad cartoon broad-brush.
I was recently asked to speak at a local college, and I met the college president; the first thing he said to me was, “Now, don’t show any of those Muhammad cartoons.” This is not unusual. Casual conversations with editorial cartoonists often start with, “So, do you draw those Muhammad cartoons too?”
Like Luz was typecast, it seems we’re all typecast now.
My cartoonist buddy Osama Hajjaj in Jordan drew a cartoon this week that he describes as depicting Arab women’s struggle and suffering under Islamic/Sharia Law. Osama tells me he’s received a torrent of abusive reaction to the cartoon from Muslim readers, but more of a concern are credible death threats from ISIS/ISIL/DAESH members emanating from Jordan and neighboring Syria. Osama writes:
“… but no matter what, those cowards won’t stop me and I still believe that Freedom of thought and expression is a human right. To detain and threaten people for exercising their human rights is the epitome of barbarism. Blasphemy is a crime for those who have weak ideas and corrupt morals.”
Osama sent me links to some news reports about the ISIL/ISIS/DAESH death threats, like this one, but I must admit, my Arabic is a little rusty. Police in Jordan are investigating. Being an editorial cartoonist in the Middle East is a dangerous job. See more of Osama Hajjaj’s work here.
Today I entered Iran’s Second International Holocaust Cartoon Contest. The first contest was a response to the Danish Muhammad Cartoons back in 2006. This time around, the contest is in response to the Charlie Hebdo murders.
People usually respond to events by doing what they would want to do anyway, so anti-Semitic cartoons are both the natural Iranian response and are what they would draw anyway if there was nothing to respond to.
The Holocaust Cartoon Contest Website shows three stacked army helmets, two with swastikas, and a third with a Star of David. There are two sections to the contest, the regular cartoon contest I entered, and a caricature contest where cartoonists are instructed to draw likenesses of Benjamin Netanyahu with Adolph Hitler. Most of the cartoons in the first contest were depictions of Jews as Nazis.
The winning cartoon from the First Holocaust Cartoon Contest, by Moroccan cartoonist Derkaoui Abdellah, showing an image of a Nazi concentration camp on a wall which a crane, marked with a Star of David, was placing around Jerusalem’s Dome of the Rock.
The site claims that they don’t deny the Holocaust, and that they are not anti-Semitic, but the cartoon winners from the first contest tell another story. The winner of the first Holocaust Cartoon Contest back in 2006 was Moroccan cartoonist Derkaoui Abdellah, whose winning cartoon showed an image of a Nazi concentration camp on a wall which a crane, marked with a Star of David, was placing around Jerusalem’s Dome of the Rock. The US State Department paid Derkaoui’s way for an extensive tour of America, including a visit to the Association of American Editorial Cartoonists convention, where I met him.
The Holocaust Cartoon grand prize is “12,000” which is a lot if that is US dollars, but if it is Iranian currency, that amounts to less than fifty cents; I’m not sure which it is.
In my cartoon, I drew Iran’s Supreme Leader, with his face as a butt that is farting out the words to his famous statement, “The Holocaust is an event whose reality is uncertain and if it has happened, it’s uncertain how it happened.” The fart-sentence takes the form of a “wafteroon” which is a cartoon term for a wavy, steamy, horizontal line that typically runs under someone’s nose, indicating that a character is smelling something. A wafteroon can come out of an apple pie, under the nose of a smiling face, or it can come out of the Supreme Leader’s butt-face, under the noses of a frowning crowd, as in my cartoon.
I have an Iranian cartoonist friend, Nik Kowsar, who was imprisoned in Iran for drawing cartoons that the clerics didn’t like. Nik was held in the infamous Evin prison in Tehran that now holds Washington Post reporter, Jason Rezaian. I asked Nik if I should enter my cartoon in the contest, or would that just be stupid and pointless? Nik said, “Yes! Enter it! It’s funny!”
My next problem was that I had missed the deadline. Nik told me, “They are good about taking late submissions. Don’t worry about it.” And Nik was right, the Iranians responded immediately to tell me that it was OK to submit my cartoon today, after the deadline.
I’m guessing the Iranians will not choose to include my cartoon in their exhibition and competition – but considering how the contest organizers complain about the “West” censoring “discussion” of the Holocaust, I thought it was a nice irony to give them a Holocaust cartoon that they would likely censor.
Now I’m kicking myself that I missed the deadline for “The Second Major International Award of DOWN WITH AMERICA” contest back in January. I need to pay closer attention to this stuff.
