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Gatehouse Guts our Guys

Editorial cartoonists losing their staff jobs has become old news as staff cutbacks at newspaper chains continue, but yesterday was an especially bad day. The Gatehouse chain laid off three staff cartoonists, Nate Beeler of The Columbus Dispatch, Rick McKee of The Augusta Chronicle and Mark Streeter of The Savannah Morning News. They have been regular contributors to our Cagle.com site for close to fifteen years. Gatehouse’s fourth cartoonist, Dave Granlund, was not laid off, apparently because he works under a freelance contract and was not an employee. Beeler and McKee are part of our CagleCartoons.com newspaper syndicate and are among our most popular cartoonists.

Gatehouse is America’s largest newspaper chain in terms of number of newspapers. (Gannett is the largest newspaper chain in term of number of readers.) The three cartoonists who were laid off were part of Gatehouse’s “More Content Now” shared services, distributing their work in internal syndication to all of the Gatehouse newspapers, so their loss will be felt by a large number of newspapers. Even though the value of the creative contribution of the three cartoonists’ work was multiplied across all the newspapers in the Gatehouse chain, making them much more valuable than the other employees laid off in this round of cuts, this cost-cutting move by Gatehouse doesn’t come as a surprise.

Rick tells me he hopes to continue drawing cartoons for the approximately 850 newspapers that subscribe to our syndicate, and I hope the same will be true for Nate. My sincere condolences go out to all three, and I am confident that they will continue to have successful cartooning careers as their work turns in new directions.

Here are the most recent cartoons by Rick McKee of The Augusta Chronicle, Nate Beeler of The Columbus Dispatch and Mark Streeter of The Savannah Morning News.

 

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Memorial Cartoons for Gérard

Updated 2/19/19 with new cartoons – Daryl

Cartoonists around the world are drawing memorial tribute cartoons for our dear, departed friend Gérard Vandenbroucke, the founder and president of the Salon at St Just le Martel and long time champion of our editorial cartooning profession. Read my obit here.  I’ll post new cartoons as they come in.

Gérard was also a politician who rose from being the mayor of the tiny village of St Just le Martel to being the president of the Limousin region of France, famous for their brown cows that are an icon of the cartoon museum – that’s why there are so many cows in the cartoons.

This one is by Christo Komarnitsky from Bulgaria

 

This one by Bob Englehart may require some explanation. Gérard was the mayor of St Just le Martel and he championed the cartoon museum and Salon in the tiny village.  St Just le Martel translates to “Saint Just the Hammer.” As the story goes, God told Saint Just to throw his hammer and build a church where it landed; Bob’s cartoon puts Gérard in the St Just role, throwing his hammer to decide where to build the cartoon museum/festival.

 

This one is by Osmani Simanca from Brazil

 

This one is from Gary McCoy

 

Here is my own cartoon.

 

This one is by Ed Wexler!

 

This one is by Steve Sack of the Minneapolis Star-Tribune.

 

This cartoon is by Marilena Nardi from Italy

 

This one is by Jeff Koterba of the Omaha World Herald.

 

By Pat Bagley of the Salt Lake Tribune.

 

This is by Firuz Kutal of Norway.

 

 

This one is by Tchavdar Nicolov from Bulgaria’s Prass Press.

 

This one is by my buddy, Robert Rousso, who is the dean of the French cartoonists.

This linoleum block print is by Randy Enos.

 

This one is by Danish cartoonist Neils Bo Bojesen.

 

 

This one is by my buddy, Batti Manfruelli from Corsica.

 

Pierre Ballouhey drew Gérard on the left, resuming a conversation with his two deceased pals on a cloud. In the middle is the priest of the lovely, little, medieval church of St Just le Martel. At the right is the late, chain-smoking, French cartoonist Jean-Jacques Loup, a talented cartoonist who curated the exhibitions at the museum for many years.

Here’s another by Pierre, the Limousin cows paint themselves black with grief.

 

This charming cartoon is by the charming French cartoonist, Placide. The village of St Just le Martel is behind the statue of Gérard, with the cartoon museum in the middle and the medieval church on the right.

 

This cartoon is by Romanian cartoonist Pavel Constantin.

 

This one is by Rick McKee of the Augusta Chronicle.

 

By Oguz Gurel from Turkey

 

This one is by Cristina Sampaio from Portugal.

 

This Gérard tribute is from Brazilian cartoonist and animator, CAó Cruz Alves

From the French cartoonist, my buddy Noder

 

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I Voted

I voted today. Everything on the ballot was unpleasant. There was nothing there that I wanted – only things I dislike less than other things. Which led to this cartoon.

Yes, I know, all of my Uncle Sams look more or less like congressman Steny Hoyer.

As I was finishing this one up, I saw Rick McKee’s election day cartoon, which is basically the same gag.

Rick’s cartoon will get reprinted more than mine, because he doesn’t have any vomit. Editors don’t like vomit. I think Rick wins on this gag.

Taylor Jones drew this one a couple of years ago – it goes well with Rick’s cartoon.

I took a look in the database and I found this nice oldie by Joe Heller

Nate Beeler drew this one back in 2012.

Here’s another nice one from Nate, in 2014.

And another one from Nate, in 2015!

I think Nate wins, 3 to 1.

 

 

 

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The Line of Fire

Last week I got back from “The Line of Fire” conference in Mexico City, an editorial cartooning event put on by CartónClub. We’re hoping this will be the first of many annual conferences that CartónClub will be hosting. I’d like to see them succeed – we need more events like this around the world.

I was the only USA cartoonist in the La Linea de Fuego show. A bullet passed through each cartoon about press freedom. Violence against journalists is a big problem in Mexico.

Cagle Cartoons was a co-sponsor of the event and there was a great delegation of Cagle Cartoonists there, including me, Mike Keefe, Monte Wolverton, Gary McCoy, Rick McKee, David Fitzsimmons, Emad Hajjaj, Osama Hajjaj, Arcadio Esquivel, Rayma Suprani and Nerilicon. My buddy, Bizarro cartoonist Dan Piraro also came. CartónClub’s founder, Angel Boligan and their president, Dario Castillejos are Cagle Cartoonists too.

The event was also co-sponsored by Cartooning for Peace (CFP), which works in Mexico and Canada under the terms of their grant from the EU that funds the organization (notably, the grant excludes the USA). CFP does programs about editorial cartoons in schools and prisons around the world and trains participating cartoonists in how to give these presentations in workshops; they pay an honorarium to the participating cartoonists to keep them going, and giving more lectures. It is a nice program, and the days in Mexico City were filled with these training workshops that didn’t involve much of our Cagle Cartoons delegation, so we spent a lot of time as tourists.

I got the chance to talk to representatives of the EU who support Cartooning for Peace at the conference; it was great to hear how they appreciate our art form – I can’t imagine any editorial cartooning programs like these happening through the United States government.

There was a nice exhibition at the El Universal newspaper lobby called “La Linea de Fuego” (The Line of Fire) where a bullet passed through every cartoon, creating some havoc that had something to do with press freedom. That’s my Statue of Liberty entry in the exhibition above. We had panels and discussions. It was all good.

Here are a couple of photos from our trip. Thanks again to CartónClub and to everyone involved!

Here is a gaggle of cartoonists at the CartónClub conference!

Here’s another group pix with even more cartoonists, at the La Linea de Fuego exhibition …

Want to see more pix? Take a look at my new Instagram feed @daryl.cagle  I’m just starting Instagram and I don’t know what I’m doing there yet! You can also see more on my Facebook page.

Our Cagle Cartoonist David Fitzsimmons wrote a nice piece about the trip here.

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Trump and Rep Frederica Wilson

The story about President Trump’s awkward condolence call to the widow of a fallen soldier has dragged on for more than a week. I wasn’t going to draw about it, but as the story droned on and on, with more awkward false tweets and statements from the White House, it looks like I can’t avoid this one.

See more cartoons on the topic here. Here are a few of my favorites; the first is by RJ Matson.

Isn’t the hair nice on this Ed Wexler cartoon?

I think the image of Trump throwing paper towels to the hurricane victims in Puerto Rico, and Trump’s love of walls struck a chord with Marian Kamensky.

Sean Delonas may be our most conservative cartoonist. Here Sean shows his disgust for Congresswoman Frederica Wilson.

Our consistently conservative cartoonist, Rick McKee, seems to like Chief of Staff John Kelly’s statement, even though it contained false accusations about the Congresswoman.

Nate Beeler can sometimes lean to the right too …

Here’s one from Steve Sack.

I think this Pat Bagley cartoon is my favorite.

 

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Kill the Messenger

The Daily Illini college newspaper at the University of Illinois cancelled their subscription to the 50+ cartoonists in our CagleCartoons.com syndication package this week in response to protests against the Rick McKee cartoon below, that they chose to reprint. Read their statement apologizing for publishing the cartoon. The Daily Illini student editor who chose to publish Rick McKee’s cartoon was suspended. USA Today did a story about the cartoon controversy.

In their apology, the Daily Illini editors write:

The person who selected the cartoon is currently on suspension due to regrets on the oversight. This choice was made out of carelessness, not out of malice. This student has learned an important lesson about carelessness.

We unfortunately cannot go back and erase it from yesterday’s paper, yet we hope this serves as a wake-up call in our decisions as an editorial staff. We apologize again, and hope that we can earn back the trust and confidence of our readers with each issue of The Daily Illini from here on.

We have reached out to the directors of the Native American House, La Casa Cultura Latina, Bruce D. Nesbitt African American Cultural Center and the Asian American Cultural Center and invited them to come in and talk with the staff about mindfully reporting on issues pertinent to underrepresented communities.

We recognize that a statement can not recognize the hurt that this cartoon may have caused and we apologize for the perpetration of this disgusting stereotype.

Our cartoon package includes cartoonists with a range of views from conservative to liberal, and it isn’t unusual that we get complaints from editors about cartoons they disagree with. Often the complaints come with threats to unsubscribe if we don’t remove content that the editor doesn’t like. Sometimes we get demands that we “fire” the cartoonists that editors or readers disagree with.

With a wide range of content, we have something new that everyone can disagree with, every day.  Since editors receive about a dozen cartoons a day to choose from they can easily choose cartoons that meet their preconceived world views and they always have cartoon choices available that will not challenge their readers. It is usually the conservative editors who complain about liberal cartoons that offend them. In the case of the Daily Illini, the complaints, and the subscription cancellation come from the liberal side of the spectrum – which fits the conservative narrative about “politically correct” colleges stifling conservative ideas. Our experience is that the liberal editors are usually the ones who print left vs. right columns and cartoons, while the conservative editors prefer to reassure their conservative readers by only reinforcing the views their readers already hold.

As a liberal cartoonist who runs a business that includes conservative cartoonists and columnists, it is fascinating to see the change in attitudes among editors and readers as both ends of the spectrum become less tolerant and seek to punish those who hold opposing views who offend them.

Rick McKee’s response made me smile:

“I think it’s a sad day for journalism whenever a newspaper feels it has to apologize for something they knowingly published. But I don’t blame the students. They’re just kids and they’re learning. I blame the politically correct atmosphere they find themselves in that exists on most U.S. college campuses. Our institutions of higher learning are supposed to be safe spaces where differing viewpoints are tolerated, but that no longer seems to be the case. There’s nothing racist about the cartoon and the notion that people should come into this country legally is an opinion that is widely held by many Americans. I’d also like to add that if you hated this cartoon — or if you loved it — my new book is filled with much of the same and can be pre-ordered at a discount right now at mckee.cartoonistbook.com !”

Want to comment to the Daily Illini? Email them at [email protected]. You can make a comment for us here or on our Facebook page at https://www.facebook.com/PoliticalCartoons

We’ve gotten some interesting comments, here is a sampling …

Rich Moyer Of course, having him just stand around out-waiting his visa is a boring illustration.
Jim Engel I think every political cartoonist should apologize every day.
Aaron Hill Makes me wonder if they published it on purpose to stir up controversy to get out of settling their bill…!
(the Daily Illini is five months behind on their payments for our cartoon package)
Gary McCoy If you look up “gutless-wonder” in the dictionary, you’ll see a picture of the Daily Illini.
Wise The editor probably supported Woodrow Wilson.
Jim Phillips Isn’t that like blaming the grocery store because you didn’t like the new cereal you bought? After you ate the whole box.
—

Joe Gandelman, who runs The Moderate Voice site wrote a long and interesting response to my column about the Daily Illini dropping CagleCartoons.com over the Rick McKee Illegal Immigrant Trick or Treater cartoon. Here it is:

I have to add to this. I started The Moderate Voice in December 2003 and it became a group blog by 2004. I’ve written for The Week online and for nearly five years did a syndicated column for Cagle Cartoons. Not a WEEK goes by when I don’t get some emails or facebook messages from someone trying to ban an opposing view or taking great exception to a post or a comment. I know that some will now sic The False Equivilancy Police on me, but the fact is left, center, right are now almost all the same when it comes trying to remove a viewpoint or limit it, in so many areas.

No, this isn’t just talking about the decade plus of TMV but about Facebook, response to my columns and emails on my pieces I did for The Week. Rage and outrage are prime components of our politics on so many fronts now. Just as there’s a 24/7 news cycle and social media is instantaneous, so is the tendency now to slip into outrage mode ASAP.. Once upon a time there was a delay as people pondered the meaning of things but reaction (rage, outrage, demands, threats not to read again) is now instantaneous.

In the case of Cagle Cartoons, I have a large number of columns and cartoons I can choose from. Many do NOT reflect my view and I run some of them. If I really don’t like one, I can pass on it. And that’s no big deal (some people prefer fish to meat). But so many cartoons are offered from all around the world. Cancelling a service because an editor chose to run a cartoon out of a huge number is puzzling. But not surprising (these days).

I’m sure this cartoon will spark some spirited discussion here at TMV. I need to add that over the years TMV has lost people who were modest donors of the center right and center left due to my refusing to ban someone from the site or remove a post they didn’t like.

I saw this cartoon, but didn’t run it because I had many others I wanted to run and hadn’t gotten to even putting them up, And for another reason: I’m someone who had someone who was here illegally as his Little Brother in Wichita , Kansas, years ago and who has covered immigrants at the border in my old job on the San Diego Union covering the border, Reagan’s immigration reform and Tijuana so it wasn’t one I CHOSE to put up. I make my choices VERY quickly about what I’ll put up or pass on because I read so many posts, syndicated materials and cartoons. So this was no biggie. I merely chose another one — a process I do EACH time I choose cartoons to put up.. I’ve run many cartoonists by the cartoonist who did the one above over the years. And I’ve run many others by other cartoonists, who I’ve also many times chosen not to run in favor of using another cartoon by another cartoonist. I’m not obligated to use or not use a cartoon but in the end it’s my decision what I put on the site.

I need to add that I run some other syndicated materials. I CHOOSE what I put up. And if readers were upset over one of the syndicated pieces I CHOOSE to put up from a service, I could let it stand or remove it. But I wouldn’t cancel using the entire syndicate when it had been MY choice to use it or not use it.

I’ll leave the rest to readers in comments.

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Rick McKee’s BIG New Book

My brilliant, conservative, cartoonist buddy, Rick McKee has just announced a big new book of his work, shipping in late November with pre-orders being accepted now! (See some samples of Rick’s cartoons below, and visit his archive on Cagle.com.)

cover mock up FB2It’s a 224-page hardcover, color, coffee-table collection of some of his best work since he began drawing for The Augusta Chronicle in 1998. The book kicks off in the Bill Clinton years and takes off from there, through the Bush and Obama presidencies with lots of social issues, sports and some local topics thrown in as well.

McKee is known for his hard-hitting conservative cartoons, but there is something for everyone in this book, with a foreword by Pat Sajak, host of the popular, long-running TV game show, “Wheel of Fortune,” and lover of political cartoons. There’s also a step-by-step, behind-the-scenes look at how McKee creates his cartoons. The link to pre-order the book at a discount is http://mckee.cartoonistbook.com

 

03 TOON OBAMA
Rick says, “President Obama has presided over the era of Islamic terrorism. He just can’t bring himself to say the words.”

 

02 TOON BUSH
Rick says, “President Bush was fun to draw, but his presidency was a dark time with 9/11 and the Iraq War. I think a lot of satirists struggled to find the humor in the daily news.”

 

01 TOON CLINTON
Rick says, “I was fortunate to begin my cartooning career as President Clinton’s troubles exploded. His numerous ‘bimbo eruptions’ were like cartooning manna from heaven.”

 

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Columns, Pirates, Brilliant Daughter and More More More

Someone tweeted this disturbing, altered, pirated cartoon to me.  PriateCartoon
It is disturbing to have my work pirated like this – but I’m not sure it is copyright infringement, since it has a different message and there are probably enough changes to qualify for the legal standard of “fair use” as commentary. Also, removing my signature from the art removes an argument that the art defames me. Still, it is rude. If an editorial cartoonist did something like this the AAEC would be calling for his head. Here is my original drawing …

Here’s some more miscellany – I thought this column from the Minneapolis Star-Tribune was very nice.

My charming and talented daughter, Susie, had an exhibition of her work recently in San Francisco. These are watercolors she did as part of her cartoon-journalism coverage of the Silk Road trial in New York City.

Susie is up for an award from my old partners at Slate, for this piece from Al Jazeera America.

Here’s a nice photo of a section front from the weekend before last in the Augusta Chronicle, from my cartoonist buddy, Rick McKee.

That’s enough errata for now!

 

 

 

 

 

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France, a Neo-Classical Cartoon, Cows and Lunch!

I just got back from our Cagle Cartoons junket to the cartoon festival in St Just France. I’m way behind on my cartoons, but I knocked this one out from a snapshot that I took in an obscure corner of the Louvre.

This is a painting by 18th century Neo-classical painter Louis-Jacque Durameau about the death of Marie Antoinette. It struck me as a multi-panel cartoon with a big Nobel Peace Prize medal for Barack Obama. I almost put labels on the frames, “Then,” “… and Now” but I decided less is more. This painting is really funny – and all the more so because it takes itself so seriously.

The photo below is our group having dinner in Paris. From left to right is cartoonist Adam Zyglis, cartoonist Nate Beeler , me, cartoonist Steve Sack, cartoonist Monte Wolverton, Janelle Beamer, the charming fiancé of charming, conservative cartoonist Rick McKee, Nate’s wife Eve and Adam’s wife Jessica.

GroupInRestaurant600forblog

Here’s another group shot, around the cow statue at the editorial cartoon exhibition in St Just le Martel, deep in the heart of France near Limoges. Left to right is Nate, Eve, me, my wife, Peg, Justine the cow, Adam, Jessica, Janelle, Rick and Monte. Steve Sack was with us too; looks like he went missing in this one.

USAandCowStatue600forblog

The grand prize winner of the festival (the winner of the cow, the “Humor Vache”) was Venezuelan cartoonist Rayma Suprani. The prize is an actual cow. Rayma also got a little porcelain cow.

RaymaAndCows600forblog

I’ve long been impressed with Rayma. She drew for the El Universal newspaper in Caracas where she was a brave critic of the Hugo Chavez regime. The government took over her newspaper and she lost her job. Rayma may be moving to the USA next; I look forward to seeing what she draws here.

DarylAndMoinesPortrait600blogI won the grand prize cow at the festival last year, and I drew the poster for this year’s salon. As part of the winner from last year thing, the brilliant French caricaturist, Moines, drew my portrait. That’s me, giant me, and Moines at the right. Moines draws on a special kind of scratchboard and he carved each of my whiskers into the board with an X-acto knife. Makes me wanna pinch those cheeks.  Moines complains that he’s down to his last couple of sheets of this paper, which isn’t made anymore. Shame.

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St Just le Martel, the Euro-Editorial Cartoonists Convention in France

I had great fun at the European editorial cartoonists convention in St Just le Martel France the last two years and I’m going again this year. It is a public event in the small French town, and any fans who would like to visit with the scores of attending editorial cartoonists are welcome to come. The cartoonists often sit at drawing tables and are happy to chat and do drawings for visitors.

The ancient and charming church in St Just le Martel that houses St Just’s bones.
This is an adult St. Just breaking his dinnerplate halo with his martel, in an image that the town seems to have adopted as a logo (I don’t know who the artist was on this one).

St Just le Martel is the patron saint of a little French town near Limoges; his bones are housed at an ancient little church in town.  The story goes that little St Just was walking along one day when God asked him to throw his hammer (martel); when the hammer landed, water squirted out of the ground. God told little St Just to build a church on the spot, founding the little town. That’s an adult St. Just (right) breaking his dinnerplate halo with his martel, in an image that the town seems to have adopted as a logo (I don’t know who the artist was on this one).  That’s the church that houses his bones at the left.

The tiny town opens itself up to editorial cartoonist from around the world every year at the end of September.  The townsfolks put the cartoonists up in their homes and get together to prepare giant meals for the cartoonists and what looks like the whole town through the “Salon.” And the little town has built a big, nice cartoon museum (below). It is hard to imagine any little town in America doing something like this (although it looks like Kenosha, Wisconsin and Marceline, Missouri may be headed in that direction).

Here’s an aerial view of the cartoon Museum in St Just le Martel, France. For scale, those are three colorful, life-size, cow sculptures on the roof, over the entrance to the museum.

 

 

This is my poster for the exhibition this year.

 

 

There is a contingent of Australian cartoonists attending this year, along with six American cartoonists that are coming with me:  Steve Sack, Rick McKee, Adam Zyglis, Monte Wolverton and Nate Beeler. We’re doing exhibitions of American Views of Putin and Ferguson Missouri; I expect the Australian cartoonists will have an exhibition of Aussie cartoons.

I did the poster for this year’s Salon (right, click here to see the sketch and a large version of the poster). The Salon/festival runs over two weekends from September 27th through October 5th. The first weekend they give their “Humor Tendre” (tender humor) award to someone like a children’s book illustrator who draws nice, sweet cartoons; the award consists of a live sheep.  The week between the weekends can be a bit slow, but some cartoonists hang out for the week between the two weekends.

The second weekend, when most of the editorial cartoonists attend, they give the “Humor Vache” (cow humor, or harsh humor) award to a more satirical, caustic cartoonist. I won the cow last year, which is why I did the poster this year; there seems to be a tradition of the cow winner doing the poster for the following year.  See me with my charming prize, Josette the cow, at  last year’s event here.

St Just le Martel is way out in the French boondocks, cow country, and they are proud of their cows. The cow has become a symbol for the Salon/festival – the Limoges cow is always brown, like Josette.  Here are some more posters from recent Salons …