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Disappointment in France

I was saddened to learn that the highly anticipated, new, national center for editorial cartoons in France was granted to the city of Paris, rather than the village of St. Just le Martel in the French countryside. Cartoonists from around the world have been writing letters and drawing cartoons, in support of St. Just’s bid for the new “Maison” or “House” of editorial cartoons, which will be a combination of a museum and center for events and lectures about “press cartoons.” St Just le Martel is the home of the only museum dedicated to editorial cartoons –and the home of a wonderful, annual “Salon” where international cartoonists have built friendships with a charming local community of fans that chose to support our profession decades ago.  Clearly, what the world’s cartoonists wanted wasn’t important to the decision makers in France. I’m putting cartoonists’ protest cartoons at the bottom of the page.  Scroll down.

French president Emmanuel Macron announced the selection of Paris this week. There isn’t any other nation with a national center for editorial cartooning, and our troubled profession should appreciate that anything is being built at all.  Still, what should be a happy day is a sad day for us. The fear is that a much bigger and better funded “Maison” will overshadow our beloved Salon in St. Just le Martel.

Here’s a statement from our friends in St. Just le Martel, followed by a statement by my friend and CagleCartoonist, Pierre Ballouhey, who is the president of “France Cartoons,” the professional organization for cartoonists in France.

INTERNATIONAL CARTOONING CENTER – SAINT JUST LE MARTEL – France – Press Statement January 2022.

The management of the Center is stunned by the notification of French President Emmanuel Macron to refuse the implantation of the European Cartooning House in Limousin area. Paris localisation was prefered was preferred, even though the infrastructure already exists in Limousin, and had many advantages, of security, experience, and recognized legitimacy.

It is a feeling of contempt and injustice that prevails here at the Caricature Center among all the volunteers. Seeing over 40 years of investing in the defense of Freedom of Expression through the cartoonish swept away by political choice without any justification leaves you speechless.

This choice goes against all the announcements, all the considerable assets, know-how, memory, commitment of the population of Saint Just Le Martel and local elected representatives of Limousin, to defend what already existed since 1982.
It is also a slap in the face to the 250 cartoonists who every year are travelling in september to Saint Just Le Martel for the International Festival, and who where mobilized in their large majority in favor of this place of meeting and celebration of Freedom of Expression.

The management of the Center dispute this decision because it fundamentally contravenes the interests of this project, in particular through a decentralization supposedly promised in the general policy speech of the Prime Minister.

We contest this project, because it goes against the flow of cultural opening up, even though Saint-Just Le Martel is easily and quickly accessible being at 1 hour from Paris by plane, or 3 hours by train or road.

We contest this project, because it discredits and denies all the experience of organizing exhibitions, and the very strong link that binds the community of designers to the International Center of Saint Just Le Martel, with more than 2,500 partners through the five continents.

Finally, we dispute it, because it goes against all the previous investments, made jointly, by European funds, the state, the Region, the Department, the Municipality in 2011. All had testified to the recognition and legitimacy of this place to make it the sanctuary of the defense of Freedom of Expression through satirical drawing.

________________________

Here’s the call for cartoonists to submit drawings protesting President Macron’s decision, by France Cartoons’ president, Pierre Ballouhey.

Dear Colleagues,

The javelin was thrown by Macron and it was stuck in his feet. The famous Maison du Dessin de Presse et de la Satire will be in Paris, not in Saint-Just. One more cultural space in the Capital.

It’s a pity, the usual franchouillard jacobinism, a foot in the nose of decentralization, contempt for the regions.

Disappointment for most of the cartoonists from all over the world who would have preferred Saint-Just-le-Martel-Limoges. They will continue to meet every autumn in their natural habitat of Limousin…

Send your drawings of disapproval and support to the Center [email protected]. They will be printed and exhibited in an event in Saint-Just, France-Cartoons will be represented by Placide.

Pierre BALLOUHEY
Président de France-Cartoons

Here’s Pierre’s cartoon and more from some other disappointed cartoons. (Note that St Just le Martel is in an area that is known for its cows, and the Salon is represented by a cow mascot, “Justine”.)Pierre Ballouhey

 

Laurent Battistini

 

Rainer Hachfeld

Biz

Batti Babache

 

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Turkey – So Angry About Cartoons

Here’s Turkey’s president by our Dutch cartoonist Bart van Leeuwen.

There’s another cartoon controversy that is causing friction for France. This time it is Turkey’s president Recep Tayyip Erdoğan who is outraged by a cartoon that he claims he hasn’t seen, that graces the cover of Charlie Hebdo’s current edition. Turkey has been outraged recently by French president Macron’s defense of offensive cartoons as “freedom of expression” in the wake of the murder of a French school teacher who showed Charlie Hebdo cartoons in his class as part of a civics lesson. Erdogan accused Macron of being mentally unhinged, leading France to withdraw their ambassador to Turkey and both presidents are carrying on a worsening dispute, with Macron backed by European leaders and Erdogan backed by protesting Muslim countries.

The cartoon that offends Erdogan shows him in his underwear, lifting the skirt of a traditionally dressed Muslim woman, exposing her bare bottom, with Erdogan exclaiming, “OOH! THE PROPHET!” Both figures appear to be drinking beverages containing alcohol, a taboo for observant Muslims. The cartoon is signed “Alice,” a cartoonist who I don’t know, who my French cartoonist friends don’t know, and who is not credited in any news reports that I’ve seen.

“Insulting the president” is a crime in Turkey and Erdogan has a history of retaliating against people who insult him; more than 36,000 people faced criminal investigation and thousands have been imprisoned for insulting Erdogan in 2019, according to a report from the Stockholm Center for Freedom.

Erdogan’s lawyer filed a criminal complaint against Charlie Hebdo’s management with Ankara’s prosecutor stating that the Charlie Hebdo cover cartoon amounted to “criminal libel” that is “not covered by freedom of expression,” according to state news agency Anadolu. Turkey is now promoting a boycott of French products. Protests against Charlie Hebdo cartoons are again springing up in a number of Muslim countries, focusing their ire on French President Emmanual Macron and demanding that cartoons criticizing the Prophet Muhammad should be banned in Europe.  Here’s a good article from Britain’s Daily Mail.

Erdogan has overseen the mass imprisonment and suppression of journalists who are critical of his regime.  Lately, he seems to be picking a variety of fights with many countries about different issues.

Turkish cartoonist Musa Kart recently spent a year and a half in jail for his drawings. Kart famously drew a cartoon depicting Erdogan as an orange cat that landed him in prison on an earlier occasion. Cartoonists around the world drew cartoons in support of Kart; here’s one that I drew in support of Kart when he was in prison.

I did a quick search and I found that we have 716 cartoons about Erdogan on PoliticalCartoons.com. It is no surprise that Erdogan’s short fuse and suppression of the press has made him a favorite target for cartoonists around the world.

Freedom of expression is often brought up in defense of offensive cartoons, especially against tyrants who seek to ban speech that offends them. That said, freedom of expression is not a reason to publish offensive cartoons. Cartoonists have the freedom to be asses, but we should choose not to be asses.

I would have killed the cartoon on the cover of the current Charlie Hebdo issue if it had been submitted to me – but it is a top story in the news today, so I posted it here in our blog. It is the crazy reaction to the cartoon that makes the cartoon newsworthy.

Here is a nice selection from our vast, Erdogan cartoon archive.

Robert Rousso, France

 

Christo Komarnitsky, Bulgaria

 

Joep Bertrams, The Netherlands

 

Marian Kamensky, Austria

 

Tchavdar Nicolov, Bulgaria

 

Arend van Dam, The Netherlands


Our reader supported site, Cagle.com, still needs you!  Journalism is threatened with the pandemic that has shuttered newspaper advertisers. Some pundits predict that a large percentage of newspapers won’t survive the pandemic economic slump, and as newspapers sink, so do editorial cartoonists who depend on newspapers, and along with them, our Cagle.com site, that our small, sinking syndicate largely supports, along with our fans.

The world needs political cartoonists more now than ever. Please consider supporting Cagle.com and visit Cagle.com/heroes.  We need you! Don’t let the cartoons die!

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Brainxit! By Rousso!

Please take a minute to check out a crowd-funding campaign for a book by my buddy, the French cartooning legend, Robert Rousso.

Robert is an editorial cartoonist and a longtime contributor to our Cagle.com site and our syndication package; he’s the beloved “dean” of the French political cartoonists. (Although some may call him the “titan,” I prefer the “dean.”

Every cartoon fan should make a contribution to get Robert’s book, and to make sure the book is published! At this time, Robert has reached half of his modest fundraising goal.

Robert has a unique quirk where he draws with little curly-cues depicting details that typical cartoonists would not see as curly-cues, like ears and nostrils. Sometimes I think that Robert doesn’t like for his pen to leave the paper. I’ve studied some of Robert’s drawings where I think he actually never lifted his pen. Here’s is Robert’s archive on Cagle.com.

Robert is 82 years old and although he’s been drawing editorial cartoons for many decades, this is his first book! The excellent, French satirical magazine “Zelium” is managing this campaign for Robert, who wrote this note:

It is no wonder that a 82 old timer like me has not yet released an album when we see the job that it represents!

Fortunately Cesare, of the excellent review Zélium, takes care of everything with efficiency and patience.

The most extraordinary thing is that Cesare manages to support me (whereas I do not know how to do it). But there is also something else, and I’ m not talking about the book, and that’ s the outpouring of sympathy and your encouragements, dear colleagues and dear former strangers (as they are no longer) I want to tell you that only for that, it was worth it –even if it had to stop now. Although, if it continues I will not see any problem!

See you very soon,  
Robert Rousso

Every cartoonist and cartoon fan should get Robert’s book. Hurry, help him and Zelium make the project happen!


Here are some recent favorites from Robert’s Cagle.com archive