The crazy, pandemic-shortened, crowdless baseball season just started! We got the news that President Trump would be throwing out the first pitch at a New York Yankees game in August, so I drew this one. I thought the gag was a little dull, so I added a talking dog. Talking dogs always work.
Gotta love baseball! Here are my favorite, new baseball cartoons from the CagleCartoonists!
Our reader supported site, Cagle.com, still needs you! Journalism is threatened with the pandemic that has shuttered newspaper advertisers. Some pundits predict that a large percentage of newspapers won’t survive the pandemic economic slump, and as newspapers sink, so do editorial cartoonists who depend on newspapers, and along with them, our Cagle.com site, that our small, sinking syndicate largely supports, along with our fans.
President Trump recently announced a raid in Syria that killed the ISIS chieftain Abu Bakr al-Baghdadi. Trump saved his highest praise for an unnamed, brave doggie that chased Baghdadi through a tunnel, where Baghdadi killed himself along with three of his kids, with a suicide vest. The doggie was injured in the explosion.
It was easy for me to see that the star of this raid was the doggie. Yesterday, Trump released a declassified photo of the doggie, whose name remained classified. It was easy for me to see that the doggie was the star of this story, and I drew this cartoon quickly on Sunday, with the doggie in his hospital bed, wearing his battle medal. My cartoon was the first of the Baghdadi cartoons to be delivered, considering that most cartoonists don’t work on Sundays. I had to guess what the doggie looked like, and with the later release of the photo I saw that I was pretty close – I missed the black face, but close enough.
Here’s another take on the doggie from cartoonist Joe Heller. To be fair, this isn’t really the cute hero doggie, this is another dog in hell that is at the Baghdadi Welcome Party.
I thought there would be more doggie cartoons in response to the Baghdadi story, but these are the only ones that came in.
I think my cartoons would be more popular if I drew only doggies. Or kitties. All the time.
Here’s a pic of the hero doggie, that Trump posted on Twitter:
Cartoon protests continue to rage around the world, in response to the New York Times” decision to drop all editorial cartoons after they were criticized for for choosing to publish an anti-Semitic cartoon. Here’s another one from me …
You may notice that this blog and Cagle.comdon’t run advertising. Cagle.com is supported entirely from reader contributions –you make the site happen! Cagle.com is the face of editorial cartooning to the world.Please support us and our endangered art form with a contribution to keep our site up and keep our cartoonists drawing! Visit Cagle.com/Heroes, even if you’ve contributed before, even if you can only afford a tiny donation, we can’t let our important graphic voices go silent! Editorial cartoonists face extinction now more than ever before!
For more about the New York Times vs. Cartoonists, visit these past posts:
The New York Times’ stupid decision to stop publishing editorial cartoons is generating more articles around the world, and the world’s cartoonists are responding with lots of cartoons on the topic – some of the cartoons are more offensive than Antonio Antunes’ cartoon, and I won’t show them here, but I’ve posted some new ones here.
Courrier International, the great French news magazine that reprints lots of editorial cartoons by international cartoonists, asked me a bunch of questions for an upcoming article; I thought I would post my responses here.
1) As a cartoonist and founder of Cagle Syndicate Cartoon, what do you think of the incriminated cartoon by Antonio Moreira Antunes?
I would have killed the cartoon if it came in to us. I can also see how the cartoon could have slipped through, without notice, since the cartoon didn’t feature an obvious, anti-Semitic, Der Stürmer cliché like depicting a Jew as a rat or spider.
The Antonio cartoon illustrates the trope that Jews manipulate the world’s non-Jews, with yarmulke-wearing Trump blindly following Jews, which are broadly indicated by the Star of David the Netanyahu-dog wears on his collar, rather than having the dog wear an Israeli flag which would indicate that Trump is led by Israel. When cartoonists mix anti-Israel and anti-Jewish metaphors, the cartoons should be killed. It isn’t about the dog, although the choice of a German Dachshund is provocative; the most common anti-Semitic cartoons depict Jews as Nazis.
When we get an anti-Semitic cartoon from one of our cartoonists, I email the cartoonist letting him know why we killed his cartoon, and usually the cartoonist will say, “OK, I get it.” Over time, our cartoonists have learned where we draw the red lines and it is less of a problem for us. Anti-Semitic cartoons are so common around the world that the cartoonists are usually unaware that their cartoons are offensive.
2) Did the decision made by the NYT surprise you (that is : did you see it coming?)? What’s your reaction?
The Times doesn’t run editorial cartoons in their USA edition and has a long history of being cartoon-unfriendly, so their decision to stop running cartoons in their international edition didn’t surprise me.
I was mostly surprised that the Times suddenly cut off their relationship with their partner, Cartoonarts International Syndicate, because of the poor decision of a Times editor. Cartoonarts is a family business that has worked with the Times for nearly twenty years, with the Times handling all of Cartoonarts’ sales and online delivery services, which were suddenly cut off. The announcement that the Times would “stop using syndicated cartoons” didn’t describe how brutal their reaction was to a small business that relied on their long-running partnership and support from the Times.
3) Many cartoonists (Chapatte and Kroll, among others) reacted to the NYT’s decision saying : it is a bad time for cartoons, caricature, humor and derision. Do you agree with this appreciation?
Yes, jobs with newspapers are mostly a thing of the past for editorial cartoonists. Outrage is easy to express on the internet and often takes the form of demands for revenge on the publication and the cartoonist who offended the reader. Newspapers are responsive to organized online outrage and shy away from controversy. Cartoons draw more response from readers than words, and responses are usually negative as people who agree with the cartoons are not motivated to email the newspaper.
When did things begin to turn ugly, and why?
Editorial cartoonists are in the same, sinking boat as all journalists. Things turned ugly when the internet took the advertising revenue away from print.
Is there a US specificity in this context, especially since Donald Trump was elected president?
Not regarding Donald Trump. I’ve drawn Trump as a dog, and I’ve drawn Netanyahu as a dog. Cartoonists love to draw politicians as dogs. Anti-Semitic cartoons are common around the world but are not common in the USA where editors do a good job of recognizing and killing offensive cartoons.
4) Why is it important to defend cartoonists and press cartoons, according to you? (or: do you think a world without cartoons and caricature has become a serious eventuality? Can you imagine such a world?) What should be done to defend this form of journalistic expression? 5) As a cartoonist and founder of Cagle Syndicate Cartoon, what would you say about the role played by social medias? Do you see them rather as a useful tool or a threat to a good and sound public debate? Or somewhere in between?
It is troubling that so many people get their news through social media. Social media has taken the advertising revenue away from traditional news media – both online and in print – so journalism is being starved. Editorial cartoonists are no different than other journalists; we’re underpaid freelancers now; we draw for love rather than because of any good business sense.
I run an editorial cartoons site for readers at Cagle.com, and we stopped running advertising on the site. We rely on donations from readers to support Cagle.com. Other publications are going non-profit and relying on donations to support their journalism – I’m impressed with Pro-Publica and the Texas Tribune. The Guardian has been successful with support from their readers.
Cartoon fans who worry about our profession can support us by going to Cagle.com/Heroes and making a small contribution. We really appreciate everyone’s support!
Want to see more of my posts about the New York Times’ ugly, recent history with editorial cartoons?
Here’s a new batch of my old TRUE cartoons. I’m disappointed that so many of these are are dated and don’t hold up over time. I think the stats have only gotten worse in the past 20 years. I’m this batch, there must be twice as many taxing agencies, and the national debt must equal four times the number of grains of surface sand on Jones beach, times $2. I’m putting these up on PoliticalCartoons.com and CagleCartoons.com and I see that newspapers are starting to run them. I hope those newspapers aren’t counting grains of sand.
Yet another new collection of my old TRUE cartoons, about sex! This is TRUE SEX part 3. I’m updating and entering these into our PolticalCartoons.com store as go through these oldies. I’ll have a few more batches before I run out of evergreens.
Here’s a new batch of my old TRUE cartoons. This first one is a self-portrait of younger me, sitting on the toilet, talking on my land-line rotary phone. Looking at the old True cartoons makes me feel young again, until I notice details that make me feel old.
Most of this new batch of my old TRUE panels came from my collection about entertainment and celebrities. I ended up killing most of these cartoons because they were so stale. I forget how different things were back in 1995. This edited batch of cartoons makes 1995 seem not so different from today – even though one cartoons shows a guy reading a book on the toilet; we may not read books anymore, but toilets haven’t changed much.
Star Trek is still familiar 23 years later. Mattel’s Barbie is still popular, but other toys in my TRUE cartoons are forgotten – for example Barney the Dinosaur was big in 1995. I forgot all about Barney. The first cartoon below is about Lassie, who we remembered as a doggie celebrity back in 1995. Do people remember Lassie now?