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Bill Schorr Decade!

Bill Schorr’s favorite cartoons of the past decade are below! Bill was a staff cartoonist for the old Herald Examiner newspaper in Los Angeles, The Daily News in New York City and The Kansas City Star.  See Bill’s favorite cartoons of the decade on USA Todaywhere you can click on each cartoon and see it blown up to fill the screen with a pretty, high-resolution image.  See the complete archive of Bruce’s editorial cartoons here.

Look at our other, great collections of Cartoon Favorites of the Decade, selected by the artists.
Pat Bagley Decade!
Nate Beeler Decade!
Daryl Cagle Decade! 
Patrick Chappatte Decade!
John Cole Decade!
John Darkow Decade!
Bill Day Decade!
Sean Delonas Decade!
Bob Englehart Decade!
Randall Enos Decade!
Dave Granlund Decade!
Taylor Jones Decade!
Mike Keefe Decade!
Peter Kuper Decade!
Jeff Koterba Decade!
RJ Matson Decade!
Gary McCoy Decade!
Rick McKee Decade!
Milt Priggee Decade!
Bruce Plante Decade!
Steve Sack Decade!
Bill Schorr Decade!


We need your support for Cagle.com (and DarylCagle.com)! Notice that we run no advertising! We depend entirely upon the generosity of our readers to sustain the site. Please visit Cagle.com/heroes and make a contribution. You are much appreciated!


   

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Today’s E-mail Interview with a Turkish Newspaper

When I take the time to write responses to a questions from reporters, I think I’ll post them here. This one is from a Turkish newspaper today.

Hi Daryl,

Thanks so much. Here’s a few questions. I’m really interested in your views and opinions:

Do you think Le Monde cartoonist (Jean Plantureux) purposely left out Turkey – from his recent image?

Do you think cartoonists must ensure that symbols like flags are correctly interpreted?
 
Do you think Twitter and Facebook followers really understand why they are changing their Facebook profiles to various flags etc.

Besides Turkey, Paris and Belgium – there’s been attacks this past year in Ivory Coast, Nigeria, Chad,  Tunisia, Egypt, etc – across the globe. Do you think there are double standards when it come to Western media response to such attacks?

Many thanks


DPlantu france belgiumear …,

Do you think Le Monde cartoonist (Jean Plantureux) purposely left out Turkey – from his recent image?

I think Plantu draws exactly what he means to draw.

Do you think cartoonists must ensure that symbols like flags are correctly interpreted?

 

France Belgium Turkey flag cartoonCartoonists want readers to correctly understand their cartoons. Cartoons that are misunderstood are ineffective cartoons. Cartoonists are in the business of communicating their ideas. There is nothing we can do to insure that readers correctly interpret our cartoons, except to strive to draw good cartoons. I don’t think of “flags” as something to interpret, except that I generally understand that American readers don’t recognize the flags of other countries. Worldwide cartoonists typically use flags to represent countries more often than American cartoonists

Do you think Twitter and Facebook followers really understand why they are changing their Facebook profiles to various flags etc. 

I’m aware of the French flags in the profile pictures on Facebook in response to the attacks in France; the Facebook users intended to make an expression of solidarity with the French in response to the terror attacks. I haven’t followed other instances of flags in Facebook profile pictures.

Besides Turkey, Paris and Belgium – there’s been attacks this past year in Ivory Coast, Nigeria, Chad,  Tunisia, Egypt, etc. – across the globe. Do you think there are double standards when it come to Western media response to such attacks? 

Terror attacks in countries that have frequent terror attacks are not as newsworthy as attacks in countries where these events are a new trend. I suppose this can be argued to be a double standard in the respect that human life should have the same value everywhere.

President Obama reportedly argues that deaths from “slipping in bathtubs” accounts for more lives lost than terrorism. Surely more people die from bathtub falls in China than anywhere else, simply because there are more people in China; by that measure, the news should always be dominated by bathtub deaths in China rather than terrorism. It is the role of editors to decide what news is most important; I don’t consider these editorial decisions to be a “double standard.” I’m more interested in news on the Brussels attacks than I am in news about still more carnage in Chad.

I don’t know the origin of the altered Plantu cartoon that you sent to me, including the Turkish flag character. I’m guessing it wasn’t drawn by Plantu, but rather by a copyright-infringing reader who wanted to make a different point, that Turkey has suffered more terrorist attacks than France and Belgium.

Please send me a copy when you come out with your article.
Best,

Daryl

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Blog Columns Syndicate

How to Fight ISIS? With Cartoons

Pundits like to complain that there are few voices from the Islamic world that condemn terrorist attacks by Islamic extremists. I run a small business that distributes editorial cartoons from around the world. With every major attack, including the recent attacks in Paris, I see a chorus of cartoons from Arab countries condemning the terror. The pundits must not be looking at the cartoons.

sack-cartoon
Cartoon by Steve Sack.

Editorial cartoonists are typically the most influential voices in newspapers throughout the Middle East, reflecting the views of their readers. Newspapers remain important in everyday life in the Middle East. Editorial cartoons grace the front pages throughout the Middle East. Arabic language cartoonists are typically anti-American and anti-Semitic, but on issues of terrorism they are largely voices of reason.

I often hear politicians complain about how the war with Islamic extremists is a battle for hearts and minds and we need to step up our role in an information war that we are losing. Editorial cartoons could be a weapon on the
front lines of that battle. By now Americans should see how powerful cartoons can be; clearly the terrorists see this, as cartoonists are among their primary targets. It is difficult for Americans to comprehend that editorial cartoons are important and effective in the Middle East because we view cartoons as trivial jokes, leading us to miss many opportunities.

Until recently, the US State Department had programs that brought American cartoonists on speaking tours to the Middle East to meet their colleagues, and had reciprocal programs to bring Arabic language editorial cartoonists to America. The programs sought to spread common values to countries where persecuted and influential cartoonists typically are barred from drawing their own presidents. These effective State Department speaking programs for editorial cartoonists were dropped at the time of the “sequester” budget cuts. USAID supported journalism education initiatives in the Middle East ignore and exclude cartoonists.

As international respect for America has plummeted, respect for many of our institutions still runs high. American cartoonists are respected around the world, like American jazz musicians and basketball players. Middle Eastern cartoonists are eager to have their work appreciated by American readers and by the star American cartoonists who they respect and emulate. The Arab cartoonists push back against the press restrictions imposed by their regimes and envy America’s press freedoms.

Every act of terror brings new recruits to the Islamic extremists in ISIS; they seek glory, selling an image of bravery, striking back against the arrogant infidels in the West. Brandishing a gun demands a kind of respect. Fighting for religious values, no matter how twisted, demands a kind of respect. ISIS craves respect; what they can’t bear is ridicule. Islamic extremists who are widely seen as the butts of jokes won’t find many eager converts.

priggee-cartoons
Cartoon by Milt Priggee.

Cartoonists are masters of disrespect and are a continuing threat to the Islamic extremists. It is no surprise that editorial cartoonists are prime targets for terror. Along with other web sites around the world, my own editorial cartoon Web site, Cagle.com, is suffering hacker attacks that appear to originate with terrorists and despotic regimes who fear cartoons. Terrorists and despots have a weakness in common; they can’t take a joke.

America needs to wake up, deploy and support the world’s best soldiers in the modern information war, American cartoonists.

This weekend President Obama claimed that he is already doing most of the things that his political opponents demand in the war with ISIS; he called on his critics to contribute new and constructive ideas on what should be done. My recommendation is inexpensive and powerful: bring back and greatly expand the State Department’s shuttered editorial cartoon programs around the world.

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St Just and Georges Wolinski

I’ve been attending the editorial cartoonists convention in St. Just le Martel, France in recent years, and it is always great fun – but this year it had a somber tone, along with the biggest attendance ever, in the wake of the Charlie Hebdo murders.

mewMoineHebdoPortraits
That’s me in front of portraits of the five slain cartoonists drawn by Moine, the brilliant, French architect turned cartoonist who had a huge exhibition of cartoonist caricatures in the main gallery. Thats Honore, Cabu, Wolinski, Tignous and Charb in the portraits; I’m obscuring Wolinski. Moine has drawn portraits of most of the regulars at St Just, and had the drawings published in a book that is treated much like a high school yearbook at the convention, with everyone signing their own pages in other cartoonists’ books.
Georges-Wolinski300x300
Georges Wolinski

 

George Wolinski was a regular at St Just every previous year I attended. He was a convention friend who enjoyed encouraging my wife to drink much more and he stood out as a star of the convention, highly respected by his French colleagues.

The museum built a lovely memorial to Wolinski by recreating his Paris studio, pictured below. The furnishings were moved to St Just and every detail was replicated, including the positions of the books and the art materials on his drawing tables.

WolinskiStudio1

 

WolinskiStudio2
Visitors look through two large windows into either side of the studio enclosure. The windows inside the studio recreate Wolinski’s view of Boulevard Saint Germain in Paris’ trendy Rive Gauche. Wolinski’s wife came to St Just to make sure every detail in the studio was correct.

WolinskiBook2WolinskiStJustPosterSmall
Wolinski was a prolific cartoonist and his work stretched well beyond Charlie Hebdo. He was known for his sexy cartoons. The book cover at the left is typical of Wolinski’s work. On the right is a poster that Wolinski did for the St Just festival. The poster for the festival is drawn each year my the winner of the “Humor Vache” award, a cow.

This year’s cow winner is “Coco,” another Charlie Hebdo and St Just regular; this was the second cow for Coco, who was a popular choice after her terrible ordeal during the attack, and her excellent work coming back after the horror. I’ll do another post on Coco.

The appreciation for the editorial cartooning profession that is on display at St Just is wonderful to see. Each convention is like a cartooning family reunion, and the loss of five members of the family was an awful blow to the community.

 

perfectmassage
This is typical Wolinski. I took this photo of one of his pieces titled “The Perfect Chinese Massage” from his exhibit at St Just. A lot of his work is wordy with lots of French that I don’t understand – but this one I can understand.

 

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Muhammad Cartoon Stimulus and Response … and Repeat

We just saw yet another terror attack provoked by cartoons of the prophet Muhammad, this time at a “Draw Muhammad” cartoon contest in Garland Texas. A competent cop shot two home-grown terrorist gunmen before much damage was done. The event was organized by a right-wing group called “Stop Islamization of America” that was best known for opposing the construction of a mosque in Manhattan. The Southern Poverty Law Center lists them as a hate group, which they deny.

Cartoonist Rénald “Luz” Luzier, who drew the famous Charlie Hebdo cover after the shootings in France, recently decided he would no longer draw Muhammad cartoons. I can sympathize with Luz’s choice, since he’s now “typecast” as the premier Muhammad cartoonist – It seems reasonable that Luz wouldn’t want his career to be boiled down to being the “Muhammad cartoon guy.”

I’m an editorial cartoonist; I haven’t drawn a Muhammad cartoon myself, because I haven’t been inspired to do so. I shy away from drawing cartoons that some people would find offensive. I don’t use four letter words, or the “N-word” in my cartoons. I don’t draw sexually explicit cartoons. Offensive subject matter in cartoons can be so loud that it drowns out anything else I might want to say in a cartoon, except, “Look, I have the freedom to draw something offensive.”

Many cartoonists have drawn Muhammad cartoons, and racist cartoons, and dirty cartoons; that’s fine, that’s their business – but drawing offensive stuff just to draw attention to myself, or to prove that I have the right to do so, just looks like lousy cartooning to me. The Charlie Hebdo cartoonists were doing more than that; they were addressing issues in French culture that were important to them, and rejecting all religions that they felt didn’t fit with their secular society.

I knew three of the five Charlie Hebdo cartoonists who were murdered earlier this year and I got to know more of them at French cartoon festivals. They have a genuine passion for their issues and our conversations always turned to a discussion of their religion-bashing cartoons. Here in America we’re not faced with the same social pressures and similar cartoons here should seem out of place.

The “Stop Islamization of America” people, who sponsored this contest, are poking the extremist Islamic beast to elicit a predictable response. This violent, cartoon stimulus and response will surely continue to be repeated.

It doesn’t matter that I personally don’t choose to draw Muhammad cartoons, or that most cartoonists don’t care to draw offensive cartoons, all editorial cartoonists are now being seen as recklessly poking surly Islamic beasts. My profession is being painted with the Muhammad cartoon broad-brush.

I was recently asked to speak at a local college, and I met the college president; the first thing he said to me was, “Now, don’t show any of those Muhammad cartoons.” This is not unusual. Casual conversations with editorial cartoonists often start with, “So, do you draw those Muhammad cartoons too?”

Like Luz was typecast, it seems we’re all typecast now.

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See My Big, Long, Video Interview with Mr. Media

Here’s my long interview with Bob Andelman (Mr. Media) about my work, the editorial cartooning business and editorial cartoons around the world.

This is a cartoon I was working on when I did the interview at my drawing table.

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Our Charlie Hebdo Exhibit at NJCU

It is easy to do an exhibition like NJCU did - just print out our Charlie Hebdo Response cartoons and tape them to the wall!
It is easy to do an exhibition like NJCU did – just print out our Charlie Hebdo Response cartoons and tape them to the wall!

I got a nice note from Theta Pavis at New Jersey City University in Jersey City, she writes:

I spoke to my students about what happened in Paris, and so I was excited to see the collection of cartoons you made available on the CMA website. I brought several of my students to the recent meeting in NYC and really enjoyed the panel you did … My students spent hours looking through the cartoons you made available; they put one on the cover of their newspaper, The Gothic Times, and wrote about the events and reactions from students. They then worked with me to have about 20 or so of the images installed in a small gallery in our student union building. They also used a few of the images for a flyer made to promote the event.

I am sending you here one of the flyers, and will also send a shot or two of the gallery; it had an explanation about the exhibit noting that it was made possible through you and your group and the CMA as well.

Download our Charlie Hebdo Exhibit here.

DrawingXResponseXX2X

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Our Charlie Hebdo Exhibit, Recently in Prague

The Anglo-American University in Prague responded to our call and recently organized an exhibition of cartoons from our high resolution Charlie Hebdo exhibit package. They also had a very well attended panel discussion event with the exhibit about the impact of the Charlie Hebdo attack and response around the world. Great to see! Read more about the event here.

Thanks to Daniela Chalaniova for organizing the event and thanks to the expert panelists who came to speak (Clemen Stauer and Jakub Janda)!

I met Daniela on a speaking trip I did to Prague a few years ago, and she has since decided to make editorial cartoons her field of study. I wish more academics would focus on editorial cartoons!

Our high resolution Charlie Hebdo exhibit package contains over 300 cartoons from top cartoonists around the world. It is free and we have permissions from all the contributing cartoonists for any institutions who would like to use the cartoons for an exhibit or event.

Prague4 Prague3 Prague2 Prague1

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Columns, Pirates, Brilliant Daughter and More More More

Someone tweeted this disturbing, altered, pirated cartoon to me.  PriateCartoon
It is disturbing to have my work pirated like this – but I’m not sure it is copyright infringement, since it has a different message and there are probably enough changes to qualify for the legal standard of “fair use” as commentary. Also, removing my signature from the art removes an argument that the art defames me. Still, it is rude. If an editorial cartoonist did something like this the AAEC would be calling for his head. Here is my original drawing …

Here’s some more miscellany – I thought this column from the Minneapolis Star-Tribune was very nice.

My charming and talented daughter, Susie, had an exhibition of her work recently in San Francisco. These are watercolors she did as part of her cartoon-journalism coverage of the Silk Road trial in New York City.

Susie is up for an award from my old partners at Slate, for this piece from Al Jazeera America.

Here’s a nice photo of a section front from the weekend before last in the Augusta Chronicle, from my cartoonist buddy, Rick McKee.

That’s enough errata for now!

 

 

 

 

 

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Cartoon Revenge Through Hacking

Want to help? Visit cagle.com/heroes. We need more heroes.

There was a time when readers who are offended by a political cartoons would write a letter to the editor. Now angry readers rant online; they demand apologies or retribution for being offended.

I run a “syndicate” that distributes editorial cartoons and columns to about 850 subscribing newspapers in America. I’m perceived to be the “boss” of the cartoonists, and I get angry demands that I fire cartoonists I work with, who drew cartoons that offend. Just draw about abortion, the Confederate Battle Flag, gun control, religion, Israel or the Palestinians – and the cyber outrage will flow.

The Sandy Huffaker cartoon that inspired the CAIR flame campaign to punish the cartoonist.

One of our cartoonists drew a cartoon a few years ago that showed an Iraqi soldier holding a book titled, “The Koran for Dummies.” The cartoon motivated a group called the Council on American-Islamic Relations (CAIR) to put a call out to their members to e-mail me, demanding that I punish the cartoonist; I received many thousands of crazy e-mail threats in response. Whenever there is a big response to a cartoon, it is usually because some group is organizing the effort.

Recently my political cartoon web site at Cagle.com has been getting hacker attacks. New, crazy, huge, sophisticated, brute force, distributed denial of service hacker attacks, from IP addresses all over the world, focusing on taking us down.

The hackers succeeded in breaking through to erase data on our hard drives on our servers and bring our Cagle.com site down. Luckily, we had an unconnected backup in the cloud, and this attack had us down for only a day rewriting the hard drives. We don’t keep credit card information or salacious emails about movie stars online, so there isn’t much for hackers to do except to take us down.
The new attacks started before the Charlie Hebdo tragedy, back when we were featuring cartoons about North Korea and the Sony Pictures hackers. Cagle.com is still going down occasionally as the hackers change their strategies. I suppose this is the new reality for editorial cartoonists, who have never been well paid by newspapers that are continuing to cut their budgets. Editorial cartoons seem to be the new flashpoint for a clash of civilizations, even as we tighten our belts.

The bottom line is that our Cagle.com site is now expensive to host as the attacks continue to become more costly and time consuming for us. We thought about dropping the site and concentrating on our little newspaper syndicate, but we’re trying something different.

We’re putting up a plea to our readers to make contributions to help us keep the Cagle.com site online. I see lots of other sites with “donor” buttons, including opinion sites like Slate.com and Truthdig.com, but this is new to us. Visitors to Cagle.com will see a pop-up window this week, asking for support, and offering lots of nice perks for different levels of support.

We’re hoping the love and support of editorial cartoon fans can overcome the costs of the evil editorial cartoon haters.

Want to help? Visit cagle.com/heroes. We need more heroes.

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Hebdo Miscellany

Yes, it has been more than a week since I have drawn a new cartoon. There’s too much on my plate, sorry; I’m trying to keep up. Here are some recent miscellaneous items.

My cartoonist-journalist daughter, Susie, posted this excellent column about Facebook and other tech companies and their hypocritical “support” for cartoonists and press freedom issues.

I just read that the national cartoon museum in Belgium cancelled their Charlie Hebdo tribute exhibit at the last minute, after it had already been installed and before it was open to the public, because of security concerns. That is sad.

StJustMuseumCharlieHebdo
This is the current view of the front entry of the cartoon museum in St Just le Martel, France, where they are currently installing our Charlie Hebdo cartoons exhibit.

 

DarylGroup
From left to right, Gerard Vandenbroucke, convention president, Georges Wolinski, who was murdered at the Charlie Hebdo offices, cartoonist “Aurel” who won the cow the year before me, and me. Happier times only last October

Want to read my Charlie Hebdo column in French? Here it is.

My business phone call voice mails go to a voice recognition line where I get an email of the phone message in text. I thought I would share this one that just came in, for a taste of what my typical phone calls are like …

“Hi my name is XXX XXXXX. I’m not sure how far you guys go your political cartoons but here’s a couple of ideas present Obama sitting on the toilet reading the Koran with the US Constitution roll of toilet paper. President Obama on the golf course with a bunch of crucified Chris’s son-of-fair-fairway(?) in the stadium quote the Bible says just play through the only Christians or grant(?) a baby close to the dj(?) and he walking out the door is away-but(?) I had a busy going you-recipe(?) and have a little Obama has-members-because(?) because he’s leaving. So just some food for thought food for thought. Thanks.”

CocoCartoon
My French cartoonist friend, Coco, posted this cartoon to social media. She was injured in the Charlie Hebdo attack.

An update on our hacker attacks, they are continuing, but we have Cagle.com up and relatively stable. Every so often we’re still going down, or we have some odd tech problem that crops up, we appreciate your patience.

Below is a cartoon I drew a while ago that has found new life in social media recently, with the incessant drum banging from Fox News over terrorism recently. With the economy in good shape I expect that fear mongering over terrorism and ISIS will dominate the upcoming Republican presidential primary fight.

 

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Will Durst on Satire

Decades after being dismissed by George S. Kaufman as a genre that “closes on Saturday night,” satire, like the measles and mumps, is making a comeback. And in many quarters, remains the most feared of the three conditions.

Some experts hold to a strict definition: “Satire portrays a viewpoint, while intending something different.” The most famous example being Jonathan Swift’s “A Modest Proposal,” the essay in which he advised Ireland’s poor to alleviate their poverty by selling their babies as food for the rich. At least we assume he was kidding. Hopefully no besotted chefs replicated his ingredients list.

Cartoon by Gary McCoy

Another example is the CIA’s assertion that “we don’t torture anybody,” when obviously what they meant was “yeah, we’ve been torturing people since way before we assured you we weren’t. And we’ve gotten pretty good at it.” You could say the CIA is America’s only straight up satirical organization. Proof that satire can exist without laughs.

Modern satirically has loosened up to embrace many forms of humor: sarcasm, cynicism, scorn, contempt, bile, ridicule and recently, an endless fascination with body parts and fluids. Anything to spotlight perceived injustice. Tweak the nose of pomposity. Kick arrogance in the groin.

Seth Rogen and his stoner buddy, that darn Franco guy, first thrust funny onto the front pages with their movie, “The Interview;” a farce about assassinating the President of North Korea. Which you could say, the President of North Korea did not find amusing. You could also say armadillo snouts make inferior shot glasses.

Despots and extremists have the sense of humor of asphalt. With the emphasis on the first syllable. And yes, that’s an example of using a body part as humor. So, in response, North Korea orchestrated a monumental hack of the studio releasing the film. Doing damage to the economy and scaring the bejesus out of Wall Street. We know this happened because the CIA said it didn’t.

The fracas was exacerbated when Hollywood celebrities went to the mats defending free speech while imploring the public to boycott websites exhibiting their pilfered emails, revealing them to be petty snarks. This is known as irony, a brother to satire.

A greater tragedy is the thousands of Americans tricked into watching this cinematic opus under the guise of nationalistic pride. “Laugh, or the terrorists win.”

Then in January, the world witnessed the ghastly murders of French satirical magazine Charlie Hebdo staffers by lunatic Muslim assassins. Who claimed to be offended by a cartoon. Which confused many US citizens. France has satirical magazines. America has Spongebob. It’s a trade-off.

It’s sad. Call yourself a satirist in America today and folks think you have goat legs. And play the pan flute. Especially when you consider the grand tradition of American political humorists- Twain, Bierce, Mencken, Rogers, Bruce, Krassner, Trudeau, Carlin, Hannity and the Cheneys.

The teachable moment here is how imperative it is we encourage artists to stay on the offensive. To mock and scoff and taunt for the sake of democracy. They should be stopped on the street and thanked for their service. Laugh, or the terrorists win.

Patriots on both sides of the political spectrum need to rally and support our brave perpetrators of mockage and scoffsome taunterating. And to do it even after the CIA says it’s okay to stop. Especially then. Je Suis Charlie. Je Suis Hebdo.

Will Durst is an award-winning, nationally acclaimed political comic. Go to willdurst.com to find about about his new one-man show “BoomeRaging: From LSD to OMG,” and info about the San Francisco premier of the documentary film “3 Still Standing,” on January 29th @ the Marines Memorial Theater.

Email Will at [email protected] Visit to willdurst.com to find about more about his new CD, “Elect to Laugh” and calendar of personal appearances.