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The Divide Between Editors, Cartoonists and Readers

Here’s a column I wrote for “The Masthead,” the journal for the ASNE (American Society of News Editors) editorial page editors group.

It is easy to match the topics of editorial cartoons and columns. We deliver our columns with suggested editorial cartoons, and editors can do an easy keyword search of our database of over 200,000 cartoons and illustrations.

What editorial cartoonists want to draw, what editors want to see from cartoonists, and what readers want in cartoons are very different. We have good statistics on which cartoons editors download. Editors prefer cartoons, drawn in a traditional style, which do not express a strong opinion that some readers might disagree with.

Editors prefer cartoons that are funny over cartoons that make readers think or cry.

Editors prefer cartoons that do not deviate from the topics that the pundits are talking about on TV.

American editors prefer cartoons by American cartoonists. International editors prefer cartoons that are not drawn by American cartoonists.

More than half of America’s daily, paid circulation newspapers subscribe to our CagleCartoons.com service for editorial page editors. Our package includes about sixty top cartoonists from around the world and a dozen great columnists. To see how it works, visit CagleWorld.com. We’re cheap and easy and we’re happy to give a generous free trial subscription to any editors who would like to give us a try. We’re the best!

We get statistics on what online readers prefer from the traffic patterns to our Cagle.com site. Unlike editors, readers are open to many topics, including those that are not today’s TV pundit topics. Readers prefer strong opinions in cartoons. Like American editors, our mostly American audience on Cagle.com shows little interest in issues from around the world and they prefer cartoons by American cartoonists.

Editors and readers prefer cartoons about celebrities in the news. The most popular section ever on Cagle.com was Janet Jackson’s boob at the Super Bowl with a whopping sixty million page views. Like most editorial cartoonists, I’m not interested in celebrities, but my most popular cartoons are celebrity obituary cartoons.

Cartoonists prefer cartoons that express strong opinions; we’re frustrated that editors don’t reprint these cartoons much. Most newspaper jobs for editorial cartoonists are gone now; we’re freelancers who are underpaid and struggling. We’re motivated by the joy of being a part of the public debate. We would like for editors to see us as graphic columnists rather than as bomb-throwers or clowns.

We would like for editors to see us as graphic columnists rather than as bomb-throwers or clowns.

Most of America’s 1,400 daily, paid circulation newspapers are small, rural or suburban newspapers with conservative readers, so most editors prefer conservative cartoons to liberal cartoons. The vast majority of editorial cartoonists are liberal and the most frequent complaint we get from editors is that there are not enough conservative cartoons (even though we have many more conservative cartoons than competing packages). We feature a “Trump-Friendly” section on the front page of CagleCartoons.com to point out these cartoons to editors who overlook them. Sometimes dealing with editors is like coaxing kids to eat their broccoli.

Because editors prefer such a narrow range of styles and topics, editorial cartoonists (who are not a diverse group themselves) often come up with cartoons that are similar. Sometimes a dozen cartoonists will draw the same, obvious gag; we call these matching cartoons “Yahtzees.” Columnists do the same thing, often making matching arguments about the issue of the day, but matching cartoons are more obvious than words. Sometimes editors complain that they don’t need to subscribe to more cartoons because the cartoons they see are “all the same,” but editors shun cartoons that are not similar.

Many editors ask, “Why don’t you have more pro-Trump cartoons?” Editorial cartooning is a negative art form. Cartoons in favor of anything are lousy cartoons. Even conservative cartoonists don’t draw pro-Trump cartoons. After the presidential election, cartoonists stopped drawing cartoons criticizing president Obama and Hillary Clinton, a change that disturbed many conservative editors who perceived a sudden shift to the left.

Another top complaint from editors is, “Why don’t you post more cartoons about holidays, and post them earlier?” We put topical keywords on the front page of CagleCartoons.com to help editors find the funny, inoffensive holiday cartoons that they might overlook. Most holiday cartoons don’t go stale. We have a great selection in our archive of over 200,000 key worded cartoons; many editors miss these because they only look at cartoons that are new.

What I would like to see from editorial page editors is more interest in diversity of cartoon content – in style, topic and point of view. I’d like to see editors choose great cartoons over funny cartoons. I’d like for editors to show more tolerance for foreign cartoonists and topics.

All that said, editors are our customers and most of them are great editorial cartoon fans. We love our editors. That’s why we want them to eat their broccoli.

 

Daryl Cagle is an editorial cartoonist and the owner of Cagle Cartoons, Inc. E-mail Daryl at [email protected]. For more information, visit CagleWorld.com. For a free trial subscription e-mail [email protected].

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WhiteFish and the White House

Every so often a really stinky fish looms over the White House. I have to draw a similar cartoon every seven years or so. Today’s stinky fish is “Whitefish Energy,” the two employee company in WhiteFish, Montana that happened to win a $300,000,000 exclusive contract from Puerto Rico to maintain their electrical system. Why this little company won a contract like this is a mystery to the White House. Interestingly, the tiny town of Whitefish, Montana (population 7.279) is the hometown of the Secretary of the Interior, Ryan Zinke, and some are wondering if this could be a reason why the little company landed this big contract. Here’s an article with some other interesting Whitefish facts.

Whitefish Energy employs about 300 contractors who are working on tens of thousands of miles of downed power lines in powerless Puerto Rico. Not nearly enough people for the job, but their exclusive contract is keeping more workers out. Sounds stinky to me.

In the past my stinky fish has reared its rotting head for both the Obama and George W. Bush administrations. Here’s my stinky Solyndra fish from 2011, depicting a stinky green energy company that blew through $500 million dollars of taxpayer subsidies before turning belly up.

The stinky fish for the Bush administration in 2007 was the Iraq war …

It looks like we should expect another fish to descend in another five or six years. Keep your eye (or nose) out for it.

10/30/17
Here’s how my Whitefish cartoon looks today in USA Today.

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Trump and Rep Frederica Wilson

The story about President Trump’s awkward condolence call to the widow of a fallen soldier has dragged on for more than a week. I wasn’t going to draw about it, but as the story droned on and on, with more awkward false tweets and statements from the White House, it looks like I can’t avoid this one.

See more cartoons on the topic here. Here are a few of my favorites; the first is by RJ Matson.

Isn’t the hair nice on this Ed Wexler cartoon?

I think the image of Trump throwing paper towels to the hurricane victims in Puerto Rico, and Trump’s love of walls struck a chord with Marian Kamensky.

Sean Delonas may be our most conservative cartoonist. Here Sean shows his disgust for Congresswoman Frederica Wilson.

Our consistently conservative cartoonist, Rick McKee, seems to like Chief of Staff John Kelly’s statement, even though it contained false accusations about the Congresswoman.

Nate Beeler can sometimes lean to the right too …

Here’s one from Steve Sack.

I think this Pat Bagley cartoon is my favorite.

 

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Cagle in Bulgaria

I just got back from spending a week in Bulgaria. In the photo below I’m having a lovely Bulgarian dinner with the cartoonist/publishers of Prass-Press (Pig Press), Bulgaria’s national, political cartoon newspaper.

Here I am with the cartoonist/founder/publishers of Prass-Press (Pig Press), the Bulgarian political cartoon magazine. From left, that’s Tchavdar Nikolov, me, Christo Komarnitski, Chavdar Georgiev and Alla Georgieva.

Prass-Press is like Bulgaria’s Charlie Hebdo – it is funny, dirty, and pulls no punches. That’s the most recent issue of Prass-Press at the right, with a cover by longtime CagleCartoonist, Christo Komarnitski, showing Bulgaria’s President Rumen Radev having a phone sex call with Vladimir Putin.

Bulgaria is split between about 60% of the population who like Russia and look back fondly on the communist days under the Soviet Union’s thumb; and only 30% of the population who like America more than Russia. It would seem that just having a raunchy political newspaper like Prass-Press on the newsstands is a sign of a nation with well respected press freedoms, but Bulgaria clocks in at number 109 on the Reporters Without Borders Press Freedom Index, below Bolivia, Gabon and Kuwait. The entire press run of the first issue of Prass-Press was “stolen” from the newspaper delivery trucks, and my Bulgarian cartoonist friends continue to have a terrible time trying to get their newspaper into news kiosks. Although Bulgaria joined the EU in 2007, it still has much of the look and feel of a Soviet east block country. As with Russia, Bulgaria’s economy is divided between rich oligarchs, and the oligarch who controls the distribution of news media doesn’t seem to like cartoons that ridicule the government. My Prass-Press friends have enlisted volunteers to drive copies of Prass-Press to kiosks, mostly in the capitol of Sofia, but it is a struggle.

Alla and Chavdar draw as one cartoonist; they won’t tell who draws and who writes; that is a secret. We’re in the process of adding them to Cagle.com and PoliticalCartoons.com and you can see some of their work here (the page still needs a little work). We’ll add Tchavdar soon. See Christo’s work here. And follow Prass-Press on Facebook here.

We have an exhibition of Trump cartoons at the House of Humor and Satire in Gabrovo, and I went there to open the show. That’s the museum in the photo below, with a giant, metal bee sculpture that has buried its head into the front of the building. The museum, a converted Soviet era leather factory, is mostly about cartoons, although they are having an exhibition by Christo (the artist who wraps things, not our cartoonist Christo) as their next big show and they have a great exhibit of nasty Bulgarian church frescos that look like cartoons. Our Trump cartoon exhibit runs through February.

 

I took a panorama shot of half of our Trump exhibition in the photo below. The museum did a lovely job with the show.

The US Embassy in Sofia sponsored my trip and arranged for a bunch of press interviews where I explained that editorial cartoons are the barometer of press freedom in every country – and by that measure, given the hurdles placed in front of Prass-Press, Bulgaria looks pretty lousy. It takes some time to dig out from all of those communist years – and it takes some motivation, which the 60% of Bulgarians who look back with nostalgia on the Soviet days may not have.

Want to see me giving too many interviews, all translated into Bulgarian? Visit the links below!

 

Press Coverage of Daryl Cagle’s interviews in Sofia, Bulgaria
October 9-10, 2017

 

TELEVISION:

 

BNT  – The Day Begins with Culture Show

Daryl Cagle and the Political Cartoon

https://www.bnt.bg/bg/a/dariel-keygl-i-politicheskata-karikatura

 

Bulgaria on Air TV

Daryl Cagle – The Cartoons are the Most powerful Weapon

https://www.bgonair.bg/bulgaria/2017-10-10/karikaturite-sa-nay-moshtnoto-orazhie-smyata-daril-keygal

 

bTV News

Daryl Cagle – Political cartoons are the barometer for freedom of speech in any society

https://btvnovinite.bg/article/lifestyle/svetovnoizvestnijat-daril-kejgal-karikaturite-sa-barometar-za-svobodata-na-slovoto-v-edno-obshtestvo.html

 

BiT TV

The Strength of the Political Cartoon

http://www.bitelevision.com/silata-na-politicheskata-karikatura/

 

 

ONLINE MEDIA:

 

ClubZ.bg

Daryl Cagle  – Prass-Press is a treasure. Take care of it.

https://clubz.bg/59367-pras_pres_e_sykrovishte_pazete_go

 

Bgnews.bg

Daryl Cagle – The editorial political cartoons are a barometer for freedom of speech

https://bgnews.online/novini/svetovnoizvestniyat-daril-keygal-karikaturite-sa-barometar-za-svobodata-na-slovoto-v-edno-obshtestvo_283964.html

 

Egoist.bg 

Daryl Cagle: I’m a cartoonist and I don’t like anybody

http://egoist.bg/daril-kejgal-kato-karikaturist-az-ne-haresvam-nikogo/

 

RADIO:

 

BNR Hristo Botev

Daryl Cagle: Cartoons are stronger than words

http://bnr.bg/post/100884149/daril-keigal-karikaturite-sa-po-silni-ot-dumite

 

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CagleCartoonists Meet in France

Every year, CagleCartoonists get together at the big editorial cartoons (they call them “Press Cartoons”) convention in St Just le Martel, France. The small village has dedicated itself to our art form, building a grand cartoon museum and hosting a great party for us. The museum is run by local volunteers; the townsfolk put most of the cartoonists up in their homes and they cook for us, and give us an open bar, and the teenagers in town are our waiters! I can’t imagine anything like that happening in the USA.

It is a delight to visit St Just and see our profession held in such high esteem.  Because of the generosity and support of the village, it is actually cheaper for the cartoonists to come to the convention in St Just than to go to our own, American cartoonist conventions.

This year we had 17 CagleCartoonists from around the world at St Just –you can see 14 of them in the group photo above. That’s our bovine Statue of Liberty looking us over, in the cartoon museum, at our “Trump: Nine Months Later” exhibit.

Our own Angel Boligan went home with the cow –the big annual prize in St Just. Congratulations to Angel!

The CagleCartoonists above are, from left to right: Manny Francisco (Singapore), Angel Boligan (Mexico), Christina Sampaio (Portugal), Pierre Balouhey (France), Pat Bagley (Utah), Gatis Šļūka (Latvia), Steve Sack (Minnesota), Osmani Simanca (Brazil), Monte Wolverton (Washington), Bill Schorr (California); Ed Wexler (California); Jeff Koterba (Nebraska) and Emad Hajjaj (Jordan). I’m seated in the front. Missing from our group photo (and probably hiding in the museum’s bathroom) are Rainer Hachfeld (Germany), Jos Colignon (Holland), and Christo Komarnitski (Bulgaria).

 

 

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Caduceus Campfire!

President Trump pulled the funding rug out from under ObamaCare, which may not have been failing before, but is much more likely to fail now. Trump supporters claim that this is to light a fire under Congress to fix the problem – more likely, it will just light a fire under the healthcare system, leaving it scorched – like a marshmallow over the campfire.

I love the caduceus symbol for medicine, with the two snakes and the little wings at the top of a pole – it is a wonderful cartoon cliché that allows me to do healthcare cartoons without words. As healthcare poses existential political issues that divide the Republicans, I’ve had plenty of opportunities to bash the elephants with caduceuses.

Obama took a bite out of the Republicans by pushing ObamaCare through congress without a single Republican vote.

Obama took a moment to gloat.

Republicans can’t agree on healthcare, and likely won’t get anything done, leading Trump to blow the system up. Perhaps congress will be more willing to clean up a big healthcare mess of Trump’s making; they can always blame it on Obama.

More likely, I think healthcare will be the issue that sinks the Republican party.

 

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Girl Boy Scouts

The Boy Scouts announced that they will allow girls to join, which is nice – but the girls will be in separate, all-girl troops. Putting them together in the same troops would be a step too far for the Boy Scouts, I guess. This looks to me like the Boy Scouts aren’t really being more inclusive, they are just expanding into a new business, competing with the Girl Scouts.

The Girl Scouts don’t allow boys to be members, although they did announce that they would allow transgender girls who used to be boys to join, which they should have done all along, since transgender girls are girls.

All in all, I’m not impressed with the changes, which led to my cartoon about the Boy Scouts’ announcement. The cartoon is ambiguous, and doesn’t say much – just like the Boy Scouts’ new policy.