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Today’s E-mail Interview with a Turkish Newspaper

When I take the time to write responses to a questions from reporters, I think I’ll post them here. This one is from a Turkish newspaper today.

Hi Daryl,

Thanks so much. Here’s a few questions. I’m really interested in your views and opinions:

Do you think Le Monde cartoonist (Jean Plantureux) purposely left out Turkey – from his recent image?

Do you think cartoonists must ensure that symbols like flags are correctly interpreted?
 
Do you think Twitter and Facebook followers really understand why they are changing their Facebook profiles to various flags etc.

Besides Turkey, Paris and Belgium – there’s been attacks this past year in Ivory Coast, Nigeria, Chad,  Tunisia, Egypt, etc – across the globe. Do you think there are double standards when it come to Western media response to such attacks?

Many thanks


DPlantu france belgiumear …,

Do you think Le Monde cartoonist (Jean Plantureux) purposely left out Turkey – from his recent image?

I think Plantu draws exactly what he means to draw.

Do you think cartoonists must ensure that symbols like flags are correctly interpreted?

 

France Belgium Turkey flag cartoonCartoonists want readers to correctly understand their cartoons. Cartoons that are misunderstood are ineffective cartoons. Cartoonists are in the business of communicating their ideas. There is nothing we can do to insure that readers correctly interpret our cartoons, except to strive to draw good cartoons. I don’t think of “flags” as something to interpret, except that I generally understand that American readers don’t recognize the flags of other countries. Worldwide cartoonists typically use flags to represent countries more often than American cartoonists

Do you think Twitter and Facebook followers really understand why they are changing their Facebook profiles to various flags etc. 

I’m aware of the French flags in the profile pictures on Facebook in response to the attacks in France; the Facebook users intended to make an expression of solidarity with the French in response to the terror attacks. I haven’t followed other instances of flags in Facebook profile pictures.

Besides Turkey, Paris and Belgium – there’s been attacks this past year in Ivory Coast, Nigeria, Chad,  Tunisia, Egypt, etc. – across the globe. Do you think there are double standards when it come to Western media response to such attacks? 

Terror attacks in countries that have frequent terror attacks are not as newsworthy as attacks in countries where these events are a new trend. I suppose this can be argued to be a double standard in the respect that human life should have the same value everywhere.

President Obama reportedly argues that deaths from “slipping in bathtubs” accounts for more lives lost than terrorism. Surely more people die from bathtub falls in China than anywhere else, simply because there are more people in China; by that measure, the news should always be dominated by bathtub deaths in China rather than terrorism. It is the role of editors to decide what news is most important; I don’t consider these editorial decisions to be a “double standard.” I’m more interested in news on the Brussels attacks than I am in news about still more carnage in Chad.

I don’t know the origin of the altered Plantu cartoon that you sent to me, including the Turkish flag character. I’m guessing it wasn’t drawn by Plantu, but rather by a copyright-infringing reader who wanted to make a different point, that Turkey has suffered more terrorist attacks than France and Belgium.

Please send me a copy when you come out with your article.
Best,

Daryl

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Answering a College Student’s Questions About Cartoons

Sometimes I get emails from college students who are studying editorial cartoons; they often ask the same questions so I thought I would post this recent response I wrote to a student.


Hi James,

Your friends who think editorial cartoons are a dying art form should be told that editorial cartoons are more important around the world than ever before, and with the internet we have a far larger audience than our predecessors who were limited to print.
1. How many hours of research go into each of your cartoons?
PencilSlingerSometimes I’ll look for photo reference for the art, which doesn’t take long. You can see the whole process in real time by looking at my videos on DarylCagle.com. I live-stream on Twitch when I draw each cartoon now. Each cartoon takes about six hours.
2. How much time do you spend reviewing the news everyday?
I usually read two or three newspapers a day and watch cable TV news. Probably three hours a day. I wouldn’t call this “research” and it isn’t related to a particular cartoon.
3. What are two things that make you different from other cartoonists?
The biggest difference for me is that I have more freedom than most cartoonists.  I own and run my syndicate (CagleCartoons.comPoliticalCartoons.comCagleWorld.com) so I don’t have an editor or a publication of record. My cartoons are distributed to about 850 subscribing newspapers, including about half of America’s daily paid-circulation newspapers. I don’t have to draw on the topic of the day as most cartoonist do, and I can maintain an irregular schedule, drawing on topics when a cartoon is needed. I don’t have to draw about the weather and celebrity obituaries as I did when I had an editor. The two differences: more freedom, no editor.
4. Who is your favorite person to portray?

Right now both Hillary Clinton and Donald Trump are gifts to cartoonists.

5. What experiences do you gain in traveling and how does traveling affect your work?

Editorial cartoons are much more important and more highly regarded internationally than they are in America. I am inspired by my brave colleagues around the world and it is great fun to meet them – especially those who put themselves at risk with their cartoons. In most of the world a cartoonist can’t draw the president of his own country or he’ll be fired, sued, beaten, jailed or killed. Friends of mine have been jailed by their governments and murdered by terrorists because of their cartoons.  I enjoy the best press freedoms in the world in America. I have it easy – I only get attacked by hackers.

6. If you could give one piece of advice to someone looking at a career as a political cartoonist what would it be?

It is the same advice I would give to any aspiring, young journalist. Newsroom jobs are in decline. New journalists and cartoonists need to create a place where their work is seen by a loyal audience on the Web; they need to develop a reason why their voice is important for their audience. Journalists have to be entrepreneurs now. The days of getting a job at a newspaper and having a big publisher take care of your career are gone. There are more opportunities now, and it is simplistic to look at the decline in employee jobs as a decline for the cartooning profession. It is a big, exciting new world out there.

I have more freedom and a much bigger audience now that I have not been working for a newspaper for over sixteen years. There is no single path for everyone, as there was in the days when making a career meant applying for a job at a newspaper.

About your project …  Think of editorial cartoonists as columnists who speak with images. We rarely see students analyzing columns because it is assumed that the columnist has clearly said what he meant to say. Cartoonists depend on their readers already knowing the news. Unlike columnists, we don’t convey facts; we convey simple, visual arguments. People cut the cartoons out to stick them on their fridge; they don’t do that with columns. Images are more powerful than words.

Cartoons are often analyzed by students because cartoons are on state mandated, AP Social Studies tests in 8th and 11th grade, in all 50 states, and teachers “teach to the test.” High school kids typically don’t think much about the news and often don’t have the background to understand what political cartoonists are drawing about. Cartoonists strive to make their points clearly, so the idea of editorial cartoons as puzzles that need to be solved and need an explanation or analysis is disappointing. If a cartoon needs to be explained, it is a poor cartoon or, more often, the reader is not well informed.

Good luck with your project!
Best,

Daryl

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Angel Elvis Over Memphis

I responded to a request from National Cartoonists Society (NCS) president Bill Morrison, to do a drawing thanking the city of Memphis for their support of the upcoming NCS convention. The original will be sold at a fundraising auction. Bill sent cartoonists a list of “Memphis stuff” including the pyramid, the Memphis skyline, Elvis, fried chicken and craft beer. I’m more drawn to the old, fat Elvis – I wonder why.

Elvis750-forNCS

Watch me draw this one in real time in the video below. I drew two cartoons in this video, and this Youtube link is queued to start when I start drawing Elvis.

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Trump and the Easter Bunny

There has been a lot of talk about Donald Trump’s foreign policy advisors. Trump says he consults himself on foreign policy issues, which makes for a nice Easter cartoon. The cartoon harkens back to Jimmy Stewart’s “Harvey” the invisible bunny friend.

trump-bunny750

The video below shows me drawing the whole thing, from start to finish in real time!

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Trump Abortion!

Democracy can be annoying when the guy who gets the most votes is the guy you really, really don’t want to win.

In the real-time video below you can see me drawing the cartoon, from rough sketch to finished color, ready for print. People like to ask me how long it takes to draw a cartoon – here is the answer! Keep an eye on Cagle.com where you can see me draw live in a popup window when I do a new cartoon, or follow me on Twitch.tv/darylcagle to get an alert when I draw live, and join the live chat while I draw!

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Justifying Cartoonist Cutbacks – Budget or Politics?

As the economic problems facing newspapers continue, it is easy to presume that cartoonists are sacked because of tight budgets. Money troubles shouldn’t give cover to publications that dump cartoonists because of politics, particularly when the politics involve corrupt governments strong-arming the press.

My cartoonist buddy, Gado, is probably the best known African cartoonist. He recently lost his job, according to a report in the Times of Africa. Here is a notable quotes from the article:

Here's a sample of Gado's work from when he was a regular on Cagle.com.
Here’s a sample of Gado’s work from when he was a regular on Cagle.com.

In 2009 President Kenyatta, then the finance minister, tried to sue Gado over a cartoon pillorying him for a $100 million accounting error. In 2005 Gado outraged Muslims with a drawing of a woman suicide bomber asking: “I’m also going to get the 72 virgins… right?!”.

Gado was persuaded by his bosses to take a sabbatical last year after the Nation’s sister paper, The EastAfrican, was banned in Tanzania over a cartoon mocking President Kikwete. When he tried to return to work, Tom Mshindi, the editor-in-chief, said his contract would not be renewed.

Mr Mshindi denied that the decision was a reflection on the freedom of the press, which he said was “no better or no worse” than under Kenya’s previous government.

Gado said Mr Kenyatta and his deputy, William Ruto, had often put pressure on the paper’s management. “Freedom of the press is being rolled back and it’s dangerous,” he said. The Nation’s managing editor, Denis Galava, was sacked in January for an editorial attacking the government’s “almost criminal negligence”.

Visit Gado’s site to see his fine work.

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Trump the Strongman

I’m hearing a lot about Trump the “strongman” from the pundits, both for his muscling his way through the primaries and for his “authoritarian” persona. OK. I can draw that.

The hair looks right on a body builder. You can watch me draw the whole thing live, in the video below. We’re working on editing these long streams into a short podcast, since watching me draw for five hours seems a little daunting – that said, jump around the video and you can get a sense of it.

When I draw live, there is a pop-up window on Cagle.com where you can watch and join in the live chat. Please join me and follow on http://twitch.tv/darylcagle

Everyone asks me how long it take me to draw a cartoon, this is how long!

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GOP Hara Kiri and Cornelius the Bear

Establishment Republicans are freaking out over Donald Trump’s continuing success in the primaries. My Hara Kiri elephant cartoon is an expression of conservative angst.

Watch me draw and color this cartoon in real time as I have a nice chat with the fans who are watching along on Twitch.

On this video I also draw a cartoon, for my local National Cartoonists Society’s Los Angeles chapter, of their mascot, Cornelius the Bear, who is an angel-bear who wears an ugly, plaid sports coat. Learn more about our strange club lore in the video. And here’s my Cornelius on the California flag.

NCS-LA-Cornelius-on-flag-CMYK

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Don’t Don’t Don’t Vote for Trump

Want to watch me draw this cartoon? Here I am doing the line art

And here the first part of it being colored in photoshop

and here is the second part

Here is the cartoon today in my local Santa Barbara News-Press. It is still fun to see my cartoon in the newspaper.

Trump160308forblog

 

 

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Those GOP Doggies Just Don’t Listen

Gotta love those little doggies!

Want to see me draw this in real time? Here I’m doing the sketch and finished line art:

Now watch me color this in Photoshop.

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Republicans Cracking Up!

It looks like the extremists and moderates in the Republican party are breaking up.

You can see me draw this one in real time in the video below – it starts at 1:13:19 (the first part is coloring the last cartoon).

Sorry, it looks like a chink at the beginning was lost in the transition from Twitch to YouTube. Here’s part two, showing me color the cartoon in Photoshop.

This morning I saw the cartoon in my local newspaper, which is always fun. Notice how the suit and purple skin tone are much darker in print, and much more blue; I need to remember to allow for darkening and blue-ing in print.

shatteredNewsPress